To mark the 13th! Anniversary of ann wood handmade I’ve chosen an image from each year to share.
2019 – 2006 – an image from each year:
And buddy. The very first post. All the way back in 2006.
If you visit here often you know that June was mostly a traveling and teaching month for me beginning with a diorama class at Squam. It’s a fun class to teach and I always learn a bunch too, in preparing as well as the class experience. There is always magic in that class. The magic in people who show up for it and experiment, magic in that forest, and always in that gathering.
It continues to be one of my most favorite places. Elizabeth Duvivier invented Squam and she invented me as a teacher. She was willing to give it a shot so I was too. Teaching continues to change and expand me like nothing else. The students this spring experimented and stretched, were open and willing and supported each other, I loved being part of it.
Gathering things for this class is an adventure and I love having permission to roam around and acquire lots of lovely old things to share. Things I feel some spirit in. And there is also so much to find in that giant oak forest. After class I like to wander around and look for the intersection of real and make believe that intrigues me so much.
P S – I’ll be back at Squam this fall and I’m in the planning stages for 2019 workshops now and will be headed South for the first time. I’m rolling ideas around for that – what would you like Southern friends?
It’s March and there is so much to celebrate. The mushroom print pattern and kit are in the shop and it is the12th anniversary of this experiment. To mark the occasion I’ve shared some lovely things made from my patterns by customers, but first I want to talk to you about storage.
My place is small and I’ve got a lot of fabric. It is mostly in one big (ikea) shelf stored in cardboard file boxes. The storage shelf had to be taken apart after the big crash and I never got it back in shape. Besides being depressing to look at it had also become a giant time waster. I pulled it all out and thought about it. The first thing I did was toss the lids. I don’t need them and the boxes fit perfectly without them, like drawers.
Most of the labels got lost in all the moving around. I’ve tried a bunch of stuff, hang tags, clothespins, writing on the box with chalk and have not been thrilled with any of it. I was going to use chalkboard stickers this time but remembered something I bought years ago and never used, little metal book plate labels from Martha Stewart.
They are perfect. How much joy can a fancy box label bring? So much. They are just right and feel so official. I googled them and you can still find them in lots of places including Staples. It’s such a big improvement over the chaos I’ve been working with and looking at.
The doll above is made from the tiny rag doll pattern with wonderful added details and modifications to her wardrobe by Annette (@nessienews). I love everything about her. I want to follow her and spy on her adventures in the forest.
One of the biggest and best decisions I made in my 12 years of experimenting here was to share patterns. It was such a leap and required and requires a giant amount of learning. It has turned my experiment into an almost rational enterprise that continues to grow and I continue to be interested in it and happy in the process of creating the patterns and kits (there are lots more coming). And I love seeing what you make. I selected a few other customer images to share here and If you like you can see more and share your own on instagram using #annwoodhandmade
And you’ll find others under: #annwood #tinyragdoll #mrsocks #annwoodpatterns
As always, thanks so much for showing up,
5 simple things, that made me happy this week:
1. Sewing in bed. It’s become a regular thing in the morning. I sew by hand for an hour or so and drink lots of coffee.
2. Getting rid of stuff. Lightening my load. I spent a whole day this week making space and letting go of things. I plan to do more this weekend. The spring cleaner in me has awakened early this year.
3. A boston fern. I’ve been walking by it in the supermarket for weeks, watching it get sadder and sadder. I could not take it anymore and shelled out the $12.99 and brought it home. I did not have high hopes for it but it has made a marvelous recovery. I love plants and I’m happy I did this fern a solid, wish I had done it sooner.
4. Finishing stuff. All of a sudden a bunch of things I’ve been working on forever are almost done. I spent the morning (in bed) finishing this little goat, stitching sail edges and adding patches and details to owl captains.
I’ll take the official photos of the ships next week. They just need flags and wind in to their sails.
5. And finally this old iron. So much joy. I have never felt like this about an iron before. It has been a bad year for irons, this is my fourth and I love it. It was free, a serendipitous meeting, and I never would have chosen a cordless iron but it turns out I love the cordlessness. And it gives excellent steam and the surface of the plate is beautiful, it glides.
What little thing made you happy this week? Do you love your iron? What are you making? Do you sew in bed?
The winner is – number 330 – there will be an email coming your way shortly Annie L!
Janine Vangool (upper case magazine) makes beautiful things. I’m happy to be included in the latest volume of her Encyclopedia of Inspiration series – Stitch-Illo. It’s a collection of artists who tell stories through stitch work.
The stories I tell with the things I make are sometimes very direct – like little birds who camp and put on plays.
More often I think of them as little mysteries – open ended questions – magical possibilities – ships that might float right in your window like a moth or a bit of dandelion fluff. Creatures whose expression and body language imply a history – a world of their own.
It’s a big book – and there is a huge variety of techniques and of the ways narratives are used by the 46 artists featured. There are several pages devoted to each and 600 color photos, some of my favorite artists are included- like Adriana Torres.
I’m also discovering beautiful work that’s brand new to me.
And here’s the fun part – I have one to give away. Everybody is welcome and I’ll make it super easy – just pick a number between one and five hundred and leave it in the comments. I’ll announce a winner next Thursday.
*Update – Comments are closed now – I’ll announce the winner (chosen by random number generation) and the winner will be announced later today.
Welcome, good people of Denmark! I had an intriguing conversation with writer Katrine Sivkær Pettersen around Christmas last year and the resulting article appears in the March / April edition of Maries Ideer Magazine. We talked a lot about creativity, imagination and papermache – 3 of my favorite subjects and there are lots of photos.
A side benefit of photographing my place for an article is that I have to spiff it up pretty thoroughly – nothing like a credible threat for motivation – and the resulting tidyness has pretty much stuck. There are a few photos from the December shoot below.
The photo above looks like I have ghosts floating around doesn’t it? I would not be surprised – or it might be a smudged lens filter….. Probably ghosts.
And there is a tutorial! For a little paper mache boat – just big enough for a tiny rag doll. It’s all in Danish but each step is illustrated with a photo so I think you could accomplish it without understanding the text. I’m not sure where it might be available in the US – but I will inquire and update here.
Can you imagine – the hands that wove and embroidered them, the rooms they decorated and moved through? I am mesmerized by these textiles – most from the 1700’s – the vermeer yellow velvets below are 17th or 18th century – the goldenrod piece with gold lame roses is French 19th century.
The colors are intense and I wish you could feel the texture – the weaves are thick and tight. I wondered if they would be sewable and they are – amazing. They came as a complete surprise – I have remarkably good luck in the fabric department – this was an incredibly generous gift from Trish Allen of Trouvais – a collector’s shop of rare and special early textiles – lovely, inspiring treasures – the antique ballet costumes – oh my.
The box has been here for weeks and I take them all out and look at them almost everyday. I only photographed a few things today – I might show you some more tomorrow – along with a new creature I’m working on. I started my first project today – a french blue songbird made from an embroidered 18th century silk. Next will be mosquitos and I think something botanical.
And speaking of songbirds – a new crew of Fortuny birds – here they are discussing some important songbird issues.
This February marks the ten year anniversary of my blog. 10 years of trying stuff and sharing it.
Posting my efforts and experiments has made me braver and continues to help me push myself to keep moving, take chances, and get over myself. And I love having a record – evidence of small consistent effort over a long period of time, evidence of growth, a catalog of moments and sensations I would have forgotten. It is also a catalog of missteps. I looked through the entire blog over the last couple days – I never have before – and a lot of it makes me cringe. Not even just the really old stuff. There is a shocking amount of things I felt good about at the time that I see now as terribly flawed or awkward. Part of me wants to edit that all out but that is not the spirit of this effort – the spirit of this effort is reaching and sometimes reaching is flawed and awkward. In all of it that is what means the most to me – I tried stuff and I will continue to try stuff and share it. I’m deeply motivated by the idea that my best work is always ahead of me – I feel like I’ve barely gotten started.
To mark the occasion I chose a photo from each year to share in this post – some are images I loved, or times when I felt like I got somewhere new and some are just little moments I’m glad were preserved. Some of the images remind me of collaborators I was lucky to have and people who have been showing up here for the entire ten years – I am truly touched and grateful for that.
Beginning with 2006 – paper birds.
2007 – the ginger rose
2008 – snapshots from Camp Wapameo for Birds
I’ve made you something! A free sewing pattern for some very nice mice. You can download the pattern here and all the instructions are below. So little – just 3 inches tall. They are quick and very easy. And they love to go boating – they are the perfect size to captain my little felt boats.
I designed this pattern specifically for hand sewing and felt. The seam allowance of 1/8 inch is included. I recommend small, tight, straight stitches with cotton thread.
felt ( wool or wool blend)
matching sewing thread ( I think cotton works best)
stuffing ( I like wool)
pencil or disappearing fabric marker and – optionally – pink colored pencil
sewing and embroidery needles ( a sturdy sewing needle is helpful for sewing through multiple layers of felt)
chopstick for turning and stuffing
1. Cut one back and two side pieces from felt.
2. Mark both side pattern pieces with the guide dots on the pattern.
3. Cut out the small pieces – I used a lighter scrap of felt for the tummy oval (textured wool or cotton is nice too).
4. Stitch the side pieces together from the tip of the nose to the bottom guide mark – your stitches should be an 1/8th of an inch from the edge of the felt.
5. Optional – use a colored pencil to add a little pink to the ears.
6. Open the side pieces you sewed together.
7. Place the top of the back piece (the narrow end) in the center, matching the top edges. Insert the needle 1/8th of an inch from the top coming out on one side of the center seam (the side you intend to sew first). Make one tiny stitch and knot tightly.
8. Turn the back piece to one side and begin to match the edges and sew the seam-following the curve and maintaining an even 1/8 inch seam allowance.
9. Stop sewing and knot your thread just before the pattern guide dot on the side piece – leave there needle and thread attached.
10. Fold the bottom of an ear together – with the pink inside.
Thank you so much to everyone who participated in the mini holiday ornament survey – I’m so glad I asked!
The questions were:
When should holiday patterns be available?
Is there a particular ornament you would like?
And do you prefer kits or downloads?
Regarding timing there were equally strong opinions for early and not too early. A lot of responders do not want to hear the word Christmas until October at the earliest but I was surprised at how many people answered July or June – about 1/3 of responders. That ship has sailed for this year ( I’m shooting for mid September) but I’ll keep it in mind going forward. If you are somebody that likes to start early there are three patterns from last year available – a little boat, a whale and a bird.
The overwhelming majority of responders would love to see woodland creatures and nature/ botanical inspired things. You’re forest people like me! I love it. There will be a woodland creature ornament pattern coming your way soon and for now the little mushroom pattern makes a great ornament. Just add a hanging string and I love using wool scraps for ornament fungi.
On the question of kits or downloads – downloads win by a landslide. But you would like to see some hard to find or specialty materials available as an optional purchase – great idea! I’m on it. If you’d like an email when new patterns or supplies are available you can join the mailing list here.
I also learned that I have incredibly kind readers. There was email after lovely email with marvelous ideas and insights and in addition to the survey responses personal notes that stunned me with their care and thoughtfulness. Thank you – I appreciated every word.
You may recall some months ago I was in a frenzy getting ready for a magazine shoot here. I am very, very pleased and excited to be included in Brutus Magazine’s New York Makers feature. Brutus is a Japanese culture magazine – it is always exquisite. It was shot by Yoko Takahashi and written by David G. Imber and Mika Yoshida – who made this happen for me – I’m truly grateful.
Seeing my Mother’s sewing machine in the feature made me think about what a long and interesting life it has had and how much she would have loved that. If you had known my Mother you would understand exactly where all those little birds came from. She collected fabric for me – before I knew I wanted it – and I saved many of her dresses and scrap bags and still sew from them ( she had excellent taste). In honor of Mother’s day I put together a little collection of some of things I have made over the last nine years or so from my Mother’s dresses.
I spent last weekend in Philadelphia teaching at the sweet Paul Makerie. I came home equally spent and inspired. The whole Makerie experience was fabulous – fascinating people, spectacular class line up (I would have loved to take all of them) and it had Sweet Paul all over it – every detail thoughtful and exquisite.
I taught Stitched Botanicals – seed pod forms in textiles. Teaching is new to me and I feel my feet under me more each time. I had wonderful, generous, open students – willing and enthusiastic about trying stuff – I was blown away with what people made.
Getting out of my cozy bubble once in a while is so good for me, this was, among other things, a gathering of like minded women, there was such a feeling of belonging and I learned a ton. I came home with a bunch of new ideas and feeling like my world got bigger.
I’ve been a huge fan of Sweet Paul since he began way back in olden times (I make this mushroom dill sauce almost every week). Before the magazine there was a blog and then a digital magazine and now the gorgeous quarterly print magazine.
It’s exceptional – the kind of thing you save. Paul came to visit last October and I’m featured in the current edition. I couldn’t be more excited – there is an interview and pictures of my place and work. It was shot by Colin Cooke whom I loved. I’m terribly awkward about having my picture taken and he taught me a fabulous technique I call “laughing to the side” – check it out in the feature or see it employed on my about page.