Category: sew-alongs and community

how to make a tufted titmouse : a sew-along

The tufted titmouse sew-along begins today! What’s a sew-along? Everybody works on the same project at the same time and shares images if they feel like it. That’s pretty much it.  You can share your images on instagram using #annwoodpattern or in the facebook sew-along group or join stitch club- the ann wood handmade community.

We are using the songbird sewing pattern.

Today we’ll get into the steps for making the tuft – the defining feature- and a couple body details.  First let’s talk about some other tufted titmouse features to consider:

  • the beak is smallish, black, short and symmetrical
  • the eyes are black
  • the tail is pretty short
  • the dominant colors are snowy white, soft grays, a little black and there is an orange patch on its flanks.

Make the bird body from snowy white fabric. For the tuft, wings, feathers etc. you’ll need a little black, a couple shades of gray and maybe some orange (more on that below).  All the fabric should be light weight. It’s also handy to have a fine black sharpie.

download the tuft templates

 

1. Make your bird in white and add a little black beak. Pro tip – make a few beaks and pick the one that feels just right for your bird,

2.  Mark the center tail 3/4 inch from the edge.

3. Trim to a point and stitch closed.

4. Cut out the crest and head cover pieces from gray and the little beak tuft from black. If you’ve made the cardinal this process is mostly the same with a couple details adjusted

5. Use the head cover template for the tufted titmouse. Pin and then whip stitch it in place.

6. Fold the pointed end of the crest 1 piece.

7. Pin in to the top of the head and stitch around the edge.

8. At the back stitch the sides of the opening together – just at the base.

9. Pin the crest 2 piece the same way – on top of crest 1 and stitch around the edge. Again – at the back stitch the sides of the opening together – just at the base. Feel free to stop adding layers here if 2 feels like enough for you – or – carry on with layer 3.

10. Add the third crest piece.

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first ever zoom workshop, fabric boats and the last 3 stitch book pages

textile seed pods

There’s a lot of news! The first ever zoom workshop,  fabric boat progress, the next art work update, a new notecard,  plus we are down to the last 3 stitch book pages and, by popular demand , the cardboard house measurements.

zoom workshop

Let’s start with the zoom. We’ll be making seedpods! The workshop is hosted online by my friends at French General. You can find all the details and sign up here.

The seedpod is one of my favorite classes to teach and I’ve done it in person many times here and in France. This will be my first zoom! With hopefully lots more to follow. You’ll learn a bunch about soft sculpture and the result is pretty spectacular.

click here for info and registration 

Checkout some workshop seedpods below:

textile seed pods

 

the cardboard house

The cardboard house was made without any real planning and not that much measuring… It’s wonky and a bit uneven. There will not be a tutorial or pattern for it but there is a post with building tips and because lots of people have asked I’ve added the approximate measurements below. I hope that helps and good luck with your cardboard house!

  • measurements are in inches:
  • across bottom – 11.5
  • ceiling/floor – 13.25
  • wall height – 9.5
  • roof – 13
  • and the depth is – 8.75

uppercase magazine


This week’s newsletter was sponsored by uppercase magazine. UPPERCASE is an always gorgeous quarterly print magazine for the creative and curious. The newest issue is all about surface pattern design, featuring the portfolios of 100 artists plus in-depth features with cover artist and fabric designer Anna Maria Horner as well as designers e bond, Kitty McCall, Mirth Studios and more. I’m a huge fan of Janine and uppercase was a contributor to the stitch illo volume.

* BECOME A NEWSLETTER SPONSOR

Do you have a product or service the more than 24000 readers of the ann wood handmade newsletter would be happy to hear about? One carefully curated sponsorship opportunity per newsletter is available. Email for more info.

the fabric sailboat sew-along

I haven’t made a fabric sailboat in quite a while and had to follow my own directions closely. I’m happy to report they are excellent. My parts are nearly assembled and the hull is taking shape. The hulls are made from fabric and batting over cereal box cardboard. I’m always amazed at what graceful shapes a simple cardboard armature can make.

While the mast is drying in place I’m working on sails and flags. Next week I’ll make a passenger. I’m leaning towards wobblers… The sweet boats below are made by readers – 1. Terry Wilson and 2. Lindsey Bass. So adorable! if you’re making a fabric sailboat please use #annwoodregatta to share.

 

a couple more studio notes

The next art update is 4/20 at noon eastern time, you can sign up for an email notification here. Lot’s of small paintings and depending on the kiln situation there might be a couple new story bottles. And there’s a new notecard available now – peaceful moon.

the last three stitch book pages

Only three left?! It’s day 85 today, 4/14. Lot’s of people have already started assembling their books. I’m waiting until the very end to decide my page order. I know what pages I want to display together but have not decided on the overall lay out. In the last stitch book blog post on 4/29 I’ll do a demo of the alternative page joining method (raw page edges exposed) but if you’re anxious to get started the short explanation is follow these steps until step 11 . Instead of right sides together place the wrong sides together and then stitch around the edge.

What’s on your work table this spring? Are you a fan of zoom workshops? Are you assembling your stitch book? Let us know in the comments and happy garden season!

the sailboat sew-along and the 100 day stitch book – homestretch

owl and sailboat

April is regatta month! The sailboat sew-along begins tomorrow. Get the pattern here. To participate just make your boat in April and post your progress photos in the stitch club community, on instagram or the in facebook sew-along group using this hashtag: #annwoodregatta . There will be a blog post on the 14th. Shoot for having the boat pieces ready to be assembled by then.  We’ll talk more about passengers and embellishments then too.

owl and sailboat

The little owl (smallest size) and merry wobblers make perfect passengers for the fabric boat.

owl and sailboat

merry wobbler

the hundred day stitch book

Page 14! was finished on Thursday and we are on the first day of page 15 as of today (3/31) This is the homestretch.

A couple frequently asked questions:

Do I start my pages with a plan?

Mostly no. Occasionally there is a color combination or shape I want to work with  but it is mostly an improvisational process, one thing leads to another. For me that’s the whole point – start without knowing, experiment, let go of outcome.

I just heard about the book. Can I start now?

Absolutely! And feel free to share your progress. Lot’s of people are working faster or slower or just getting started. You can find all the details for beginning here.

You can checkout pages from thousands of participants in the stitch club community, in the facebook sew-along group and on instagram #annwodstitchbook.

 

cardinals and other reader projects and the 17th anniversary of the blog

A lot of what I do in life starts with “I wonder what happens if I do this…” That’s how this blog started 17 years ago and that’s what keeps it going. Curiosity, imagination and the joy in making things remain the driving forces here.

doll house with tiny dishes in a green wood plate rack on the wall. The house is made from cardboard and has a rustic feel.

Some things that got invented in the 17th year of the blog experiment:

sew-alongs and the winning cardinal

We had our first ever sew-along in October – the crow followed by the owl and currently the cardinal sew-along.  The cardinals are made from the songbird sewing pattern with these alterations. Let’s start with the winner of the cardinal sew-along.

It was hard to choose! The cardinal sew-along winner is @flora.twigg (I’ll dm you regarding your prize- a bundle of fabulous scraps spanning continents and centuries!)

Check out more awesome cardinals and other projects made by readers below.  I’ve added links to the maker wherever possible, you will find a pinterest level of rabbit hole fun exploring them. If you see your photo but I missed your link please let me know – I’m happy to add it.

This is not a real mushroom! Wow. It was made with the mushroom sewing pattern and  stitched by @ana.montesdemiguel

1. @littlepostcards   2. Mary Kelly   3. and 4. annika.   5. @astitchwhimsy. 6. @peaceandcraft    7. Nancy    8. @Elisabew

crow by @jillthereckless

1. @kezwilson.3       2.@sarahblankstudios.     3.@revedesouris       4. @lucindawalkerart     5. @smith_cuts_sews     6. @tumblingblocks      7. @jo_broz

owl by Terry Wilson

community

The most significant milestone of the 17th year is the stitch club community.  The glorious pink owl by Terry Wilson was posted in the owl sew-along. Currently over 3000 creative members are sharing their work, trying stuff and finding friends.

Thanks so much for showing up and happy anniversary!

PS – I’m rolling around ideas for an april sew-along – how about sailboats for a spring regatta? Let us know in the comments and a happy March to you!

organizing small scraps, stitch book progress and a cardinal sew along

colorful tiny fabric scraps layered on white linen fabric

A new way of saving really tiny scraps happened by accident.  And besides storing them it can provide a bunch of inspiration for stitch book pages. Last year all the little offcuts and tiny scraps saved for the book project were in a basket and everyday I would dump it out and sort through it.

colorful tiny fabric scraps layered on white linen fabric

Lately I’ve started laying them out on a piece of white-ish linen to get a better look at them. I wasn’t thinking about design but while randomly laying them on the fabric appealing shape and color combinations turned up, little places to start.

The linen has enough texture to hold them in place (I think any fabric with some texture would work) and If you put a piece of wax paper over the linen and scraps you can roll it up and all your tiny scraps are saved for next time- easy to see and mess around with, a textile white board for experiments.

day 28 2023

We are 4 weeks into the 100 day sketchbook challenge as of today (2/17) and tomorrow completes page 6.  I’m trying something different this year and thinking about pages that will display together when the book is assembled as one composition. It’s definitely an experiment and we will see if it’s effective when the book is done.

cardinal sew-along

Use the songbird sewing pattern to make a cardinal. This is a quick, mini sew-along, it  begins now and ends on March 1st.

cardinal sewing pattern

What’s different about this sew-along: there will not be additional blog posts – the details for making the cardinal are already on the blog here plus in the other sew-along people pretty much worked at their own pace. I will be making a cardinal too and posting in the stitch club community as well as the facebook group and instagram. To participate use hashtag #cardinalsewalong on instagram, the stitch club community or in the facebook sew-along group to show us your progress. At the end of the sew-along a team of esteemed judges (really just me) will award a prize for the best cardinal. The prize will be a marvelous collection of scraps and your bird will be featured on the blog. The cardinal prize will be announced on Friday March third so please post your photo by the first of March.

And speaking of March, I’m already in full spring cleaning and organizing mode, especially in the sewing room. I haven’t seen this work surface in weeks.

Are you feeling spring cleany? How do you save your tiniest scraps? Will you join us in the cardinal sew-along?  Let us know in the comments.

the 2023 international scrap festival : 8 ideas for your scraps

small scrap fabric projects surrounding text text: 2023 international scrap festival

Welcome to the fifth annual international scrap festival! Each year as the days begin to get a little longer and spring seems like a legitimate possibility we take some time to reflect on the magnificent possibilities of fabric scraps.

You can find patterns and tutorials for everything in the photo above (plus lots more) on the free pattern page.

litttle chicks made form cotton scraps - they are about 3 inches across and have simple features.

Plus a brand new free pattern – Scrap project idea #1 little chicks! I love them. They just kill me. Let’s make thousands. Find the tutorial right here.

stacks of cotton print scraps arranged by color

more ideas for your fabric scraps

2. This festive scrap bunting was another new free tutorial here this summer –  made with mini yoyo’s – find the tutorial here.

3. Also in the celebration/decoration department this super simple way to make a festive curtain or wall hanging sort of situation. The attachment method is simple and clever. 11 year old me wants this a lot.

patchwork sewing machine cover with ties on the ends and lots of pockets

4. For your bigger scraps this super clever sewing mat machine cover combo. I need a couple of these. My machines are old and don’t have covers. Machines don’t like dust.

5. Find inspiration and tips for managing your scraps here. I especially love the idea of cutting down all the weird shapes. I could spend hours ironing and trimming.

a simple quilt block made from triangles and squares

6. And turn them into a quilt with this Antique Four Patch Economy Block Tutorial. I love the way it looks. I’m doing it.

7. Bendable cake flags. So sweet and they would also be great on paper mache ships and cardboard castles.  I’m definitely making them for  some very nice mice.

hand stitched merit badges diy

8. Merit badges.  everybody appreciates a little acknowledgment! I love this idea for big folks and little folks. I’m thinking we should have a merit badge contest in the community, what do you think?  Find the tutorial for the badges here.

Stay tuned for more scrap festival news this month! And share your ideas, have you got a favorite project? What’s you preferred storage method? (mine is messy but sorted by color, pretty much).  Let us know in the comments or join the ann wood handmade community.

7 ideas for your 100 day stitchbook (#4 is my favorite)

sewing supplies on my messy work table for day 1 - scraps and cut pages

The 100 day stitch book challenge starts today! Please be sure to read these two pages completely before you start:

1 – Before you do anything else please read this page carefully.

2 – Find the tutorial for how to cut your pages and make the book here. We don’t assemble the book until the pages are done but it’s good to know where we are headed.

And it’s not mandatory but helpful : check out this blog post.


 

That’s it! And you’ve already done the hardest part – showing up. I’m so glad you’re here and I’ve got some tips to help make this daily commitment easy and productive for you.

1. Keep your materials easily accessible. Maybe you don’t have a permanently designated stitching area or table. I like to do my sewing and painting in the same sunny spot so I put all my stitch book supplies on a big tray so it can be whisked away when it’s time to paint. And when it’s time to stitch (usually in the morning) there is no significant obstacle to starting, just grab the tray.

2. Speaking of time to stitch, doing your 15 minutes at the same time each day can have a magical effect. Even if it’s not always possible, doing it most of the time can help get your subconscious on board. For me this benefit kicks in after a few weeks.

3. Invite the universe in. Find inspiration for shapes and marks in your day. Take a walk and see what you can see through the lens of your stitch book project. Invite happenstance, grab a scrap without looking for a place to start or splatter some paint or dye or your page before you stitch and see where that leads you.

4. Have a plan for the bad days. They are inevitable. I have lots of them. Decide ahead of time on a minimally acceptable effort for yourself. And keep a collection of inspiring/favorite scraps in reserve so if you’re stuck or super stretched for time you have an easy win. Trust me, keeping the daily commitment helps create and build momentum. It is much easier to keep going than to start. It’s also helpful to have a simple to-go kit. Last year a lot of my stitching happened while traveling.

5. Get the benefit of community. It’s so helpful. There are lots of ways you can do that. Share your pages on instagram using #annwoodstitchbook , join the stitch club community (lots of day 1 pages are already posted!) or team up with friends for group stitching.

6. There are no mistakes, only information. Having a healthy (and productive) attitude towards mistakes, failures and bad days is key to creative growth. Since I was a kid my process has begun with this direction to myself “start making your mistakes”. Mistakes and missteps are full of information and signposts towards work you end up liking.

7. The blank page can be scary and paralyzing. The idea of starting without any structure can be daunting. So give yourself a little structure but still preserve the spontaneity of the process. For example, decide to use one color – maybe just shades of red. It gives you a refreshed perspective on your stash and a place to start. You can do this with shapes too – what if you were limited to just circles for one page? I promise, circles will begin to present new possibilities to you.

a textile book with a vintage floral page and an applique chandelier

We won’t assemble the book until after the 100 days of stitching but I did want to offer a possibility for an alternative way of finishing the book so you can have it in the back of your mind while you’re making your pages. I taught a stitch book class in France last summer, a sort of travel journal. The edges of the pages are left raw and showing instead of turned in. I’m leaning towards finishing my 100 day book this way. We can talk more about how to do that when it’s time to assemble.

2023 day 1

stitch collage in blue

Good luck with your 100 days of stitching! Are you ready to get started? Let us know in the comments.

onward!

ann


support the stitchbook project

Support the 100 day stitch project and the always growing free pattern and tutorial library! The response to the stitch book project in particular has been astounding and resulted in significant additional server costs (it’s all about gigabytes and bandwidth…)  Thanks so much to everybody who has already made a contribution! This would not be happening without you.

the shimmering space between

materials, fabric and fabric scraps gathered on my worktable

When I began my first 100 day stitch book last year the plan was to be purely abstract. To commit to a “yes and” improvisational process, let go of outcome, be concerned only with making marks with stitches and responding to those marks. Create for the sake of creating.

a collection of very small fabric scraps and colored thread ends in a little ceramic dish

On the first day there was a little pile of fabric scraps and a blank page. The scraps were odd and unintentional shapes – off cuts from other projects.

The vision of pure abstraction dissolved almost immediately, representation crept in, sometimes obviously (to me) and sometimes subtly. There were boats and trees and castles and mushrooms, vessels, and lots more. My first impulse was to work to banish those recognizable images. The problem was they snuck in on their own. I didn’t plan for them. And that really was the improvisational process I had committed to.

day 6 2022

So I let them come. Sometimes they took over and sometimes they shimmered in and out as I worked. The revelation was the images I ended up liking the best, the pages where I felt like I got out of my own way (the whole point of the exercise) shift between abstraction and figure.

2 slow stitched collages in a textile book

Did I make the image or did it just appear?

It’s sort of like looking at clouds. Clouds don’t try to look like anything in particular but it happens all the time, we perceive an image. There is a word for it and everything – pareidolia

“ the tendency to perceive a specific, often meaningful image in a random or ambiguous visual pattern. “

That was the biggest revelation and lesson of last year’s 100 days. It pointed me towards a place that feels inspiring and creative and challenging, a good place to play. The ambiguity is freeing.

Let’s talk about another word- intuition

“the ability to understand something immediately, without the need for conscious reasoning.”

The point of this 100 day exercise is to listen to yourself, to learn to feel for and trust your intuition. Really listening, connecting to your intuition and expressing yourself is difficult. Daily practice helps. What might 100 days of showing up and listening reveal about your own work, process, imagination?

materials, fabric and fabric scraps gathered on my worktable

I’ll close this post with your warm up assignments :

Checkout the stitch book I made last year- starting at the bottom of the post you can see each page over the five days and you can see the book assembled here.

Gather some materials and put them in a box. Label the box 100 day stitch book. The hard part is over, you already started.

owl sew-along : week 4

feet and finishing touches

Let’s talk about the talons for a minute, they’re not even in him yet and they’ve already got personality. This time before wrapping them with fabric I applied a dot of black nail polish to the tips. I like the shiny black ends peaking out and it makes them easier to wrap. The stitching on the feet seems like it’s going to take forever but it’s really pretty quick.

Installing his feet brings him to life. Posture and the position of his talons help create an attitude and body language that imply a history, a point of view, a world of his own.

Get the feet loosely installed and add stuffing around them to stabilize things a little before experimenting with their position. Find his balance and then fine tune the attitude. Sometimes this has been a quick process for me, he just falls into the perfect position, and sometimes it’s required  a bunch of little adjustments.  This guy required a bunch of adjustments.

Once he was on his feet he clearly needed a black heart and a lacey cravat.

Making an owl during the holiday rush was a challenge. But here he is. It was definitely a baby steps process, 15 – 30 minutes here and there.   You can checkout lots of sew-along owls in the community.  And I think the next sew-along  (cardinal) will be mostly contained in the stitch club community (with a facebook group too).

owl sew-along : week one           owl sew-along : week two           owl sew-along : week three

Are you ready for talons? Does your owl need a cravat?  Let us know in the comments.

owl sew- along : week three

Week 3 – the feathers

This section is all about his feathers and wings.  The first layer is the foundation, the tail top and bottom, back cover and stomach cover.  

a textile owl in progress on my work table

Before we talk about that please notice the odd shapes on my cutting mat. They are what’s left after cutting pattern pieces for his features. The shapes are accidental, unconscious and intriguing, good to save for inspiration.  I’m saving them for my next 100 stitchbook project beginning early next year. If you feel like joining me you might want to save some too – they can be a great place to start.

The stomach cover is a major feature, nothing goes over it so the fabric choice and stitch detail makes a big contribution to the look of the owl. I went with a contrasting straight stitch and used the same bold pinstripe that’s on his head. Definitely going for a “suited” old timey menswear feeling for this guy.

The other foundation pieces peek out from underneath the wings and feathers, adding to the layered feel. The end result looks complex but it’s easy to create.

Also notice another owl has turned up. Despite barely being able to keep up with one owl I’ve added another. He’s been hanging around here almost done for years so I’d love to get the green guy over the finish line too.  You might also notice that her is velvet, so difficult to work with, I usually avoid it but this green velvet was irresistible.

Sticking with the same  browns used for the features I added the tail and side feathers. The wings were next and before adding the final two layers of feathers I pushed some stuffing under the wind for some extra dimension.

See you on 12/16 for talons and finishing touches!

owl sew-along : week one           owl sew-along : week two

owl sew-along : week two

It’s all about the eyes.

The next section of the owl pattern is huge so we’ll break it down into two posts/weeks. This week is focused on the head and features. We will talk a lot about one pattern piece – eye 3. The goal for this week is to complete the head, eyes, horns, beak, and head cover.

The eyes are a huge part of the attitude of your owl. How you use (or don’t use) eye pattern piece 3 makes a big difference in what sort of owl turns up. Adding a little extra fabric, changing the shape, fraying or not fraying an edge or skipping the overhanging lid entirely creates a lot of your owl’s personality.

let’s look at a few:

Chillingworth, a very bad owl, the original dastardly owl, devours you with his eyes. Probably don’t look directly into them… He is monochrome, all the same fabric with subtle differences in tone. The fabric is heavily frayed, eye piece 3 is pressed over the buttons for the hooded effect and his buttons don’t match exactly, adding to his diabolical gaze.

Skimpole, the narcissist,  is somewhere between with his wide-eyed affectation of innocence. Instead of eye piece 3 I used a circle (the size of a quarter).

And finally Mr. Tibbles and Mr. Wickles. Nothing sinister here, the effect is primitive and simple, just circles of fabric and buttons. This is why you need to make a lot of owls – so many possibilities!

sew-along links :  * owl – week one   *about sew-alongs   *owl sewing pattern

community links :  facebook group  and   stitch club – the ann wood handmade community

PS – Are you behind on your owl? Join the club. The holidays are super jammed but try to carve out even a few minutes everyday. It’s not so much about a deadline as consistency, so your owl does not drift onto the “to be finished someday pile”. I’m stretched time-wise this week but I’m gonna sew my beak tomorrow – do-able. And finish the eyes on Sunday – I can handle that. I’ll cut horns on Tuesday etc. etc. baby steps for the win. Join us in the community to see owls in progress!

See you next Friday for week 3 : feathers

Will your owl be a naughty or nice? Let us know in the comments!

 

owl sew-along : week one

Welcome to the owl sew-along! This week is focused on creating the body shape – that’s the first section in your pdf or booklet. We’ll also talk a little bit about installing button eyes.

All you need to participate is the owl sewing pattern.

Take your time and focus on one step at a time. You are going to make a fantastic owl. And join a community for extra support – it helps a lot, especially if you are a beginner. Find the facebook community here and the ann wood handmade community here.

For more info on how this sew-along works please click here.


choosing fabric

For the body shape choose a fabric that’s easy to work with. I’m using cotton. For feathers and features a variety is nice. And like the crow, stripes are great for feathers. We’ll talk more about that when we get the the feather section.

Let’s start with looking at how the pattern pieces magically come together to make the body shape. Please watch the video above. If you don’t see the video click here

making the owl body

Follow the steps and your pattern and a few key points are highlighted below. Cut out your 6 body pieces and mark the seam line on all the pieces. Also mark the opening for the back and the dot mark on the front body piece.  That dot is important.  Sew the first seam, joining the back body pieces. Pin them with right sides together and sew – leaving the opening  for turning and stuffing.

Mark the darts on the owl front pieces. Fold the leg over – so the right sides of the fabric are together. The fold should be exactly where the dot is and end where the leg meets the body.  Place  the dart template on the fold between the leg seam lines.

Sew the dart curves with small tight stitches. I prefer to hand sew the darts. I’m going to machine sew the rest of the body seams.

Add the front and back head pieces and your front and back bodies are complete and ready to join. The secret to success is lots of pins and careful edge matching.  Start pinning form the leg and work your way up.

It’s helpful to re-mark the seam line where the dart fold over. You’re going to stitch right through that fold. With the long seam stitched keep working on the same side of the body to stitch the back of the leg and the tail. Repeat for the other side of the body.

Stuff your owl with wool stuffing. Begin at the head adding a little at a time. I used about 3.5  ounces of wool.  The owl should be very firmly stuffed.  Check out this post about stuffing for some tips.  I put a little stuffing in the legs but we’ll mostly deal with those when we install the legs so save some stuffing for that.

owl eyes

Let’s get a head start on the features and feathers section by installing our eye buttons.  The pattern has instructions for shank and flat buttons. I chose shank buttons  so I’m making a little hole to sink the shank into.

The key here is to make the hole without breaking the threads of the fabric. Start making the hole with a big needle. Next use something pointy but larger like a bamboo skewer or a pencil.  You’ll need a sturdy thread to sew in the eyes – dental floss works too!.

Check back next friday for week 2 – feathers and features. We’re also going to talk about how to dramatically change the personality of your owl with little adjustments to the eye fabric. See you next Friday! Please use #annwoodpattern and #annwoodowlsewalong on instagram or join us in the community!

PS – happy thanksgiving!