Tag: workshops

extreme mending, sledding lambs and the 100 day project

patched and mended sleeves

patched and mended sleeves

Extreme mending, that’s what happens when you can’t let go. I can’t let go of this giant flannel shirt. I got it for a quarter at the Herkimer NY Goodwill in 2010. I started mending it a couple years ago, mostly just worn edges. Last winter it had some major sleeve blowouts and other serious issues. It was barely a shirt anymore but I remain too attached to part with it. I spent my 3 hour train ride to Vermont (more on that in a minute) stabilizing it. And now I’m plugging leaks. Besides my ridiculous attachment to it I like the process of this kind of meandering mending. And I like the result, the unexpected layers and combinations that turn up.

I’m mending my linen smock too where I have worn it thin, keeping it mostly pale. I’ll never part with it either and it will eventually be all patches. I’m good with that.

pale patches on a linen smock

100 days of creativity

The Hundred Day Project starts on Tuesday April 2. It’s a free art project that takes place online. Every spring, people all around the world commit to 100 days of creativity. Are you participating? I sort of am. I do a little painting or drawing everyday anyway so I think that counts. All you need to do is commit to a project (big or small or very small) and tag your instagram posts with #The100DayProject. You can do anything, You could mend something if you like.


This blog started with a similar experiment. It was a little different, I committed to making 100 cardboard horses. I made one Monday through Friday and gave myself the weekend off.  Much like my daily practice now, somedays I loved it and some days I most certainly did not. But I know now I need it.

If you decide to participate I can offer you some of what I’ve learned:

* Be realistic about time. The amount of time you commit can be very small and still have lots of benefits.

* Have a plan for the bad days, a minimal but acceptable effort. And accept the bad days. Everybody will have lots of them. I have some very bad days and post some real stinkers.

* It’s helpful to do it around the same time everyday. Your subconscious gets on board after a while and shows up with ideas.

* Think of it as an opportunity to listen to yourself and maybe get glimpses into your singular and powerful imagination that you would not otherwise get. Plus new instagram friends.

And if you feel like making your daily art a cardboard horse feel free – there is a whole tutorial here. And as an added bonus when you’re done you have a stampede.

Back to Vermont.

I took the train up to Warm Brook Barn in Vermont to teach at their Maple Harvest retreat with French General. The group was lovely and intensely creative. We made silk necklaces, talismans, beeswax candles, wax seals and lambs in pants. There was a beautiful snowstorm of almost exactly the right duration and intensity and It was all generally a blast. And I loved exploring all the fabulous details of the old houses.

fabulous dresser at warmbook barn

PS- If you’d like to make a little sled it’s super easy – I found a tutorial here.

And PPS – A rare occurrence – I’m usually like a ninja, a lamb in pants making stealthy ninja. I was captured in the wild in Vermont, caught in the act, sneaking up on a sledding lamb in pants for a photo.

caught in the act

new 2019 workshops : botanical specimens, sugar house retreat and songbirds

botanical stitching class with ann wood

There are two botanical specimen workshops – you can take either or both (take both – spend the whole weekend stitching strange specimens with me!). Each day will focus on different techniques and projects.  And we are offering the songbird class again.

I’m headed to Vermont in early spring for lambs in pants and stitched talismans and back to Los Angeles in April to teach 3 workshops at French General. Find all the details below and links to registration. I hope you can make it! I’m bringing everything you need including treasures from my antique textile collection and my favorite tools and supplies.  All you have to do is show up. If you have any questions please send me a message.

botanical stitching class with ann wood

botanical specimens 101 – saturday april 6th

fungi, root systems, and seed pods

You will create elegant stitched seed pods  with realistic root systems and invent wild and strange species of mushrooms. We will explore basic soft sculpture techniques including working with spheres and creating and modifying patterns. I’ll share my techniques for creating forms and texture with textiles, wire, paper and other simple materials.  Click here for more info and registration.

 

botanical stitching class with ann wood

botanical specimens 102 – sunday april 7th

bulbs,  rare specimens and fabric printing 

You will learn to create realistic bulb root systems and techniques for creating organic feeling marks on fabric.  We will explore antique botanical prints for inspiration and I’ll guide you through the process of inventing your own rare specimen using traditional as well as non traditional soft sculpture techniques. Click here for more info and registration.

 

songbirds  – friday april 5th

Come make songbirds with me. I’ll guide you through the process of sewing, stuffing and sculpting the basic shape, creating natural looking layers of feathery textures, embroidering features, carving beaks, sculpting feet and giving your creation spirit and “birdness”. I’ll also share my some of my favorite supplies, top secret tips and techniques and some treasures from my collection of antique textiles. Click here for more details and registration.

 

SugarHouse Retreat with Ann Wood and French General at Warm Brook Barn  -March 21st-24th, 2019

Join me in Vermont for a glorious cosy weekend stitching lambs in pants (or dresses) and amulets and making gorgeous sugar drop necklaces (among other things) with French General. The Sugarhouse Retreat is a weekend filled with cozy fireplace warmth, maple syrup treats and friends near and dear – including a visit to one of Vermont’s Sugarhouse’s on the annual open weekend as well as crafting by the fire. Delicious meals and hosting by Meleen Dupre of Warm Brook Barn.   Click here for more details and registration.

squam 2019 : tinder and spark – come experiment with me in the forest

a mysterious box - an idea generating experiment

inspiration gathered on my work table

The Squam Art Retreat 2019 offerings are up and registration is open. I’m already looking forward to teaching next September.

experiments on my work table

There is art and practice in generating ideas.  Come spend a day with me in the forest experimenting and having lots of ideas.

Tinder and Spark – idea generation : experiments, curiosity and constraints

I will guide you through a series of  improvisational (and fun) exercises designed to bypass blocks, spark you creatively, help you dig deeply into your imagination, spot intersections and generate ideas.

We will employ constraints to move our thinking in novel ways and practice approaching assignments laterally.  Sometimes a shift in approach makes all the difference. We will look for serendipity, invite happenstance to guide us and we will play. Play generates lots of ideas.  In idea generation volume matters.

a mysterious box - an idea generating experiment

The day begins with experiment #1 :  a mysterious box…. a collection of materials and found objects. Employing the remarkable creative power of constraint and with a top secret inspiration source in mind you will create a small work of art.  I’ll help you push past blocks and navigate and choose techniques and tools.

One thing leads to another, if you let it.  If the experimenter in you needs some encouragement  please join me for this day of exploration. What will you unearth?  What has been waiting for an opportunity to emerge? Come with that curiosity.

Find all the details here!

two mini workshops

hand stitched amulets

Come sew with me in LA in October!  I’ve added two mini evening workshops to my visit with French General, fun nights of stitching, all materials supplied:

hand stitched amulets

colorful fabric pendants on a worn piece of wood

Stitched amulets Tuesday, October 16th / 5-8pm
Spend an early evening with stitching up small, sweet textile talismans. We will provide all of the small bits and pieces, including antique French and Japanese fabric, cord, buttons and charms for you to create a handful of small amulets that can be worn for luck, love or given to a friend.

All materials are supplied for this workshop, but you are free to bring any small special pieces to make your talisman uniquely yours. Click here for details and registration.

very nice mice : sewing pattern

little sailor mouse

Very nice mice – Thursday, October 18th / 6-9pm
Spend an evening making mice with me! I’m bringing everything you need and lots of extras for embellishing and sweet details. We’ll hand stitch adorable little friends and along the way I’ll share some of my favorite supplies, tips and tricks. And while we photograph our creations in whimsical mini sets I’ll offer you some seat of the pants techniques for capturing your creation’s unique personality and charm.
Everything is supplied for this workshop. Click here for details and registration.

france, battling natsubate and pushing the songbird pattern across the finish line

textile toadstool in the south of france

Natsubate, I definitely have it. It is a Japanese word that can be translated as “summer fatigue”. July is almost always lazy and slow for me. There is no talking myself out of it. I should probably start planning for that. Besides the seasonal aspect, the natsubate, giant projects almost always have doldrums, usually near the end, when the hard part is done. A massive wall of resistance rises between me and the little last details.

That stuckness is cemented by ambiguity. Specifics, specific tasks, specific goals and time frames move things forward and support momentum.

hand stitched songbird progress

That’s where the songbird pattern has been,  trapped in a perfect storm of inertia: July, just the fussy boring details left to do and a lack of structure, a lack of plan to complete those. There is also, I’m sure, an element of brain fatigue, the backlash for having not taken a break for a while, not letting my mind and focus muscle rest. A few days out of my routine being tossed about in salt water helped with that.

And I can fix the lack of plan part while still accounting for my seasonal dip in energy and focus by applying James Clear’s method, reduce the scope, stick to the schedule. I’ll devote a couple golden early morning hours each day to a specific lists of tasks. When I broke down exactly what I needed to do on paper it was suddenly clear that would be more than enough to push this pattern over the finish line and into the shop. That clarity was motivating on its own and to add some accountability to further inspire me I’ll tell you that the finish line is Tuesday, 7/17.

corde sur ciel : france

Now let’s talk about France a little bit. France gets a big thumbs up from me. I suspected it would be good but it was beyond my imagination. Good job France, you really brought it. I was so completely engaged in the experience I hardly took any photos but I’ll share what I’ve got below and you can find more on french general’s instagram feed  (scroll down a little for Corde Sur Ciel).

textile toadstool in the south of france

I’m planning now for a longer stay next summer. You should come. If you think you might like to let me know – and I’ll keep you informed as plans solidify.

Have a beautiful weekend and I’ll be back on Tuesday to share the songbird pattern. At last.

the sudden appearance of a third toe and a workshop in brooklyn

bird foot made from paper and wire

The truth is I thought birds had two toes. Some birds anyway. I was aware that many birds had 3 toes but, for reasons I don’t fully understand, I thought that there were also lots of birds with two toes. The actual number is much closer to zero…

I stand by my two toes. I think two is exactly the right number of toes for birds who go camping and put on plays and get married in the forest.  Exactly the right number of toes for ballerina birds and pirates.

bird foot made from paper and wire

And I have lately decided that 3 toes is the appropriate number of toes for my more realistic songbirds. How to add the third toe was a puzzle though. I failed again and again, rejecting methods that were too complicated or unreliable.  Last Sunday I landed on a simple and elegant solution, a method and a realistic three toed bird foot I am thoroughly pleased with. It’s going in the pattern. PS – I haven’t given up on the cast foot – it is in the works – more on that soon.

hand stitched birds

handmade fabric bird

And I’ll teach the three toed method at my next songbird workshop, my first ever in NYC, and right down the street from my place! Come to Brooklyn for a two day songbird workshop on June 2nd and 3rd at Brooklyn General.

find all the details and register here

And if you’ve got questions send me an email, I’m happy to help.

woodshedding birds and owls

hand stitched birds

hand stitched birds

I’m in the woodshed with songbirds. Evaluating the pattern and steps, testing and adjusting little things – using what I learned teaching the workshops last month to make the pattern all I want it to be.

pale blue textile bird

My friend Mickey introduced me to the term woodshedding and I love it:

“The ability to conjure up a feeling of wonder in others, to create a sense of awe, has always fascinated me. And while I do believe that magic can just “happen” under the right circumstances, creating magic is a much different story. It involves a lot of hard work, endless study and a constant refining of process and craft. In music, they call these periods of intense practice woodshedding, referring to the time spent honing skills privately out in the woodshed.”

Mick Riad  –  Creative Director, Fortuny

I think it is my favorite place to be, in the woodshed with something. Discovering, testing and refining. Deep in a learning process.

handstitched birds on my worktable

crimson and puce bird

hand stitched bird details

velvet fortuny owl

I’m also woodshedding owls to prepare for the dastardly owl workshops this fall (I think there are 2 spots left).  Eventually they will also become a pdf and print pattern too.

What’s going on in your woodshed?

Update – the songbird and owl patterns are available in the shop now:

a sewing pattern for a dastardly owl      sewing pattern for a textile songbird

two new workshops : songbirds and elegant rag dolls

This March I’ll be teaching three all day workshops at French General in Los Angeles. Songbirds (sold out) on the 24th and 25th (the same class offered twice) and Elegant Rag dolls (sold out) on the 23rd. Registration is open and you can find all the details at French General.

Find the songbird sewing pattern here.

 

Songbirds
Come make songbirds with me. I’ll guide you through the process of sewing, stuffing and sculpting the basic shape, creating natural looking layers of feathery textures, embroidering features, carving beaks, sculpting feet and giving your creation spirit and “birdness”. I’ll also share my some of my favorite supplies, top secret tips and techniques and some treasures from my collection of antique textiles. Basic sewing skills are needed, we will be stitching by hand and machine.

Elegant Ragdolls
Mysterious girls with secrets. The details make me happy, front bustles revealing a scandalous amount of leg, slippered feet, fancy underthings and elegant chignons. I’ll guide you through the stitching and stuffing and details and share my favorite supplies, top secret tips and techniques and some treasures from my collection of antique textiles. Basic sewing skills are needed, we will be stitching by hand and machine.

I hope to see you there!

 

dioramas in the forest and a third kind of image

squam diorama workshop

diorama workshop at squam

I think about thinking a lot. I think about imagination a lot. The mystery of it.  Creativity, art, inspiration, expression, all of that. I think about how it feels to get something past the filters. To get something that was inside on the outside in a way that feels complete and true. Seeable. With all it’s you-ness in tact.

That kind of expression is what’s on my mind when I’m preparing for workshops. The last two especially, Squam and the mini makerie. Both workshops had a strong focus on exploring and trusting your imagination and starting without knowing exactly where you are headed. Experimenting and responding.

I experiment on myself all the time, watch myself work, observe my own thinking and patterns, where I get stuck, how I unstick myself and I bring that experience with me. I also read a lot this spring and summer about art, imagination and creativity and that something else that doesn’t have a name. I came across the quote below in a collection of observations on Joseph Cornell’s boxes by Charles Simic. I love the idea of a third kind of image:

“There are really three kinds of images. First, there are those seen with eyes open in the manner of realists in both art and literature. Then there are images we see with eyes closed. Romantic poets, surrealists, expressionists, and everyday dreamers know them. The images [Joseph] Cornell has in his boxes are, however, of the third kind. They partake of both dream and reality, and of something else that doesn’t have a name. They tempt the viewer in two opposite directions. One is to look and admire the elegance and other visual properties of the composition, and the other is to make up stories about what one sees. In Cornell’s art, the eye and the tongue are at cross purposes. Neither one by itself is sufficient. It’s that mingling of the two that makes up the third image.”

– Charles Simic
Dime store Alchemy

I so recommend this book. I got it as a gift from my much older sister who is knitting me a sweater several years ago and it has been next to my bed ever since waiting for me.

I asked students to keep that in mind, the unnamable thing, the third kind of image, as the worked on their boxes in the forest at Squam:

*click the images for a larger view – there are lots of details.

squam diorama workshop

squam dioramas

squam playhouse

And just like that it’s fall. September has gone by in a flash and I miss the forest, especially my early morning walk along this path for coffee. Until next time.

“The real things are happening in the forest still.” – Charlotte Mew

 

natural history : a new workshop

natural history : a workshop with ann wood

natural history : a workshop with ann wood

* Update – The workshop has sold out but please add your name to the wait list if you were hoping to join – cancellations do happen. 

Registration just opened for “Natural History” a three day creative retreat with The Makerie in Boulder – September 22nd to the 24th.

Our assignment for our three days together is to create and document an imagined natural history. We will look for inspiration at the intersection of history, poetry and nature, working collaboratively as well as individually to create and photograph a collection of specimens.  We’ll use textiles, paper, found objects and a variety of other tools, techniques, materials and inspiration I’m bringing.

stitched botanicals

I’ll guide you through improvisational (and fun) exercises designed to spark you creatively, help you dig deeply into your imagination and generates ideas.  It’s a  spontaneous, “yes and” way of working – each action builds on the previous – you work with what shows up. It’s less about finished works and more about making connections and  recognizing serendipity and happy accidents when they appear. We will pull ideas and details from our experiments as a starting point for designing and making our plants and creatures.

blue beetle

mushroom specimens

hand stitched toadstool

perched fly

On our last day together we will style and photograph our specimens individually and as a group.  I’ll share tips for creating compelling compositions and moods, simple lighting hacks and other seat of the pants techniques that I use in photographing my own work.

This is a workshop about experimenting, collaborating, playing and getting out of your own way.  That is a life long daily challenge for me and I love sharing what I’ve learned so far. I hope I can help you be a more intrepid explorer of your imagination, reach past the territory you’ve already navigated and expand your skills for sharing that world.

Sounds like fun to me and I hope to see you there! If you’ve got questions please send me a message – I’m happy to help.

*registration has closed but you can still join the wait list here.

the positive snowball effect of finishing things and a new workshop

ann wood

It’s such a mistake to let too many unfinished projects pile up. The weight of all that isn’t done can really mess with a person’s momentum and momentum is key.  When it happens the only way through is to start finishing things – one at a time. This week I’ve been finishing stuff – big stuff and little stuff. A wooly edwardian owl was the first – he was nearly there so it was an easy win.

hand stitched owl

He’ll be in the shop next week with some songbirds and other creatures – you can sign up here if you would like an email notification when the new things are available.

Crossing just one thing off the list makes a huge difference, the shift is instant and it’s easier to tackle the next – as each task is completed momentum starts to snowball and replace the self perpetuating overwhelmed and stuck feelings.  My next project was finishing up my improvisational doll experiments – also lingering in “all most done”.

handmade dolls

handmade soldier doll

He stepped right out of a Jane Austen novel, one of her steady hearted colonels. I love him. And he is excellent at guarding books.

A large project got finished too,  creating a new workshop for this September.  Come see me in Boulder!

ann wood

That’s me – in my middle aged art lady uniform. The linen smock (by Cal Patch) really is my uniform – if you run in to me in Brooklyn or come to Colorado there’s a pretty solid chance I’ll have it on. This is my first 3 day workshop ever and it’s presented by the Makerie  September 22nd through the 24th.  3 days to explore something with a small group sounds marvelous. The title of the work shop is Natural History.

little fly

I can share all the details with you next week and registration will open then too. For now I’ll leave you with this very little fly I made to bring to Boulder with me.

a diorama workshop at squam – and a scholarship opportunity

ann wood : diorama workshop

Before I tell you about the workshop I have to tell you that the squam art retreat, where I’ll be teaching it,  already sold out in pre- registration – both spring and fall sessions (there is a waiting list and  stuff happens in a year so …. contact squam to get on the list).  That’s the bad news. The good news is – just today I learned of a scholarship opportunity being offered by Honey & Oak:

We are offering one spot to attend the Squam Workshops either for their Spring session (June 7th – June 11th 2017) OR their Fall session (September 13th – September 17th 2017). You get to choose what works best for you! In addition, we will provide a $500.00 stipend to be used towards Travel Expenses and Extras.

It’s a pretty sweet deal – find all the  details on how to enter right here. You must enter by January 3rd.

And also – just so you know – September will be the 10th and last retreat – I’m sad to see it go – it has been a truly marvelous experience.

ann wood : diorama workshop

In my diorama workshop (fall 2017) we will explore the poetry and spirit of things. I’m bringing all sorts of things to play with and we’ll forage the magnificent fall Squam forest for natural elements too. The compositions that emerge might be entirely abstract or tell a story, they might reflect an inner landscape, an outer landscape or an intersection of ideas – intersections are always interesting places.

There is more info on the class and retreat here.

I hope your holidays are lovely,

ann

stitched rutabagas and floating ships : sweet paul makerie 2017

hand stitched stitched rutabagas

hand stitched stitched rutabagas

The Sweet Paul Makerie is coming to Brooklyn!  And not even just Brooklyn but my neighborhood – a couple blocks from my place – so good. I’m offering 2 workshops-  ship building and  an intro to 3 dimensional sewing (a stitched rutabaga!).

The rutabaga is a good introduction to sculptural sewing and working with spheres ( there is a free sphere pattern here if you’d like to experiment). And they have a secret ingredient that makes them perch in kind of interesting and root-vegetabley way.

rutabaga sewing pattern

 

If you’d like to try the rutabaga get the sewing pattern here.

I taught a stitched botanical class in 2015 at the Philadelphia Makerie and had a marvelous time – it was a beautiful event in every way – every detail thoughtful and lovely –  so looking forward to the spring retreat.

hand stitched stitched rutabaga

hand stitched sails

hand stiched floating ship

Do you get my free weekly-ish newsletter? There are tips and tricks, ideas, stuff to try, all the latest news and blogposts and extra stuff, just for subscribers, delivered mostly on Friday. Pretty much.

doll experiments from the workshop and tiny rag doll : print-edition

cedric randolf moth

tiny rag doll print pattern

Briefly – as there is much to cover today – the very first print pattern is in the shop. I’ve turned the tiny rag doll sewing pattern into a 16 page hand illustrated booklet accompanied by three pattern sheets. To celebrate this (for me) huge milestone – the first 25 purchasers will get some bonus items with their pattern.

mr. socks on vacation

It’s the first day of fall – it doesn’t feel like it but it will by Sunday and I’m looking forward to it – it’s been an airless summer in NY.  I got an excellent dose of forest, air and space at The Squam Art Retreat and so did mr. socks.  I also came back with lots of creative energy –  I love watching people move through their process and  getting glimpses into their imaginations. I taught two experimenting with dolls workshops and was impressed by the willingness to truly experiment and try things – to pick up a thread and follow it. It certainly isn’t easy but can take you to interesting and unexpected places. I’m deeply grateful to everyone who participated for their willingness to be open and vulnerable – I loved being part of it.  I’ve shared many dolls below and some were still being worked on – I hope to show you those soon- good things were happening…..

enchanted fish

Sondra’s enchanted fish

cedric randolf moth

Tif’s (dottie angel) gentleman moth –
“my name is Cedric Randolf. i am a moth, I fought in the Boar War. i am quite wise and quite old. in one eye i have a cataract, with my other eye i see only goodness”

rabbit girl

Rabbit Girl (in process) by  Tricia

moon

The moon – and all her phases…. by Jaime (fancy tiger crafts)

edwardian_lady

Vanessa’s Edwardian lady

(lots more photos after the jump)

Read More

toadstool pattern progress

little mushroom sewing pattern

The toadstool pattern is just about done.  I’ve got a few steps to reshoot and then a little more work on the document and it’s ready to go. I’ve taught this class a couple of  times and that definitely helped in writing the steps.

toadstool pattern work

It took two years of experimenting to get the shape I wanted in my toadstools. Two years of almost there but not quite.  I am pathologically persistent – relentless. The most difficult part was finding a reasonably efficient way of making the concave shape for the underside, reasonably efficient and reproducible. I tried so many things – some with interesting results – like foam padded bra inserts – but it wasn’t exactly what I wanted.  What I ultimately came up with is simple and has a lot of flexibility – the shape and effect can be varied with little adjustments – it’s fun to play with.

squam toadstool workshop(photo by Andi Schrader)

I loved teaching the class – the steps seem odd until all of a sudden a toadstool appears. I hope one of the takeaways from my botanical experiment classes and this pattern is thinking innovatively about shape building and materials.

So stay tuned and if you would like to be notified by email when new patterns are released you can sign up here.

botanical workshop at squam art retreat

I got back from Squam on Sunday – tired to the bone, happy and satisfied. It was such a good time – 4 days in the spectacular New Hampshire forest making toadstools and seedpods.  And it really feels like summer camp, a bell rings for meals 3 times a day, the cabins are rustic and charming and have lovely fireplaces that are magically filled with logs when you’re not looking. The nights were cold and the days were warm – the perfect climate for me. I caught up with old friends, made new friends,  expanded as a teacher and came home inspired and full of ideas.

The student work was fantastic.

toadstools_1

enchanted toadstools

Thanks to lovely Christine Chitnis for the photos below and checkout lots more in her beautiful Squam post – you get a real sense of the place and the experience.

seedpods squam 2015

squam seed pods 2015

toadstools squam 2015

seedpod squam 2015

the makerie workshop and sweet paul magazine

sweet paul magazine

I spent last weekend in Philadelphia teaching at the sweet Paul Makerie. I came home equally spent and inspired. The whole Makerie experience was fabulous – fascinating people, spectacular class line up (I would have loved to take all of them) and it had Sweet Paul all over it – every detail thoughtful and exquisite.

I taught Stitched Botanicals – seed pod forms in textiles. Teaching is new to me and I feel my feet under me more each time. I had wonderful, generous, open students – willing and enthusiastic about trying stuff – I was blown away with what people made.

botanical textile art

botanical textile art at the sweet paul makerieGetting out of my cozy bubble once in a while is so good for me, this was, among other things, a gathering of like minded women, there was such a feeling of belonging and I learned a ton. I came home with a bunch of new ideas and feeling like my world got bigger.

makerie students

I’ve been a huge fan of Sweet Paul since he began way back in olden times (I make this mushroom dill sauce almost every week). Before the magazine there was a blog and then a digital magazine and now the gorgeous quarterly print magazine.

sweet paul magazine

 

sweet paul magazine

It’s exceptional – the kind of thing you save. Paul came to visit last October and I’m featured in the current edition. I couldn’t be more excited – there is an interview and pictures of my place and work. It was shot by Colin Cooke whom I loved. I’m terribly awkward about having my picture taken and he taught me a fabulous technique I call “laughing to the side” – check it out in the feature or see it employed on my about page.