Tag: textiles

finishing the hundred day stitch book : suddenly a prawn appears

April 28, 2023

by annwood

day 99!

There was no plan for a prawn. He just turned up. He was immediately preceded by an octopus. That’s what I love about an improvisational process. Ideas. One thing really does lead to another if you let it. You get somewhere new by starting without knowing, make a mark (in this case a stitch, a patch etc.) and respond to it.

day 99 2023

These undersea friends in hats bubbled up from somewhere mysterious. They inhabit a world that is rich and expansive idea-wise. I’m going to spend time in that world. This is my favorite thing to do in life.

day 95 2023

Daily practice has a serious slog factor. It’s often hard to show up for. Days inevitably get weird and busy and difficult. I’m blown away by how many of you showed up for this. The community as well as instagram and facebook is filled with those efforts. Thousands of stitched pages. The last of the 100 days is tomorrow. Wherever you are in that process congratulations on showing up and thank you for sharing your one of a kind imagination. There will be a blog post featuring books and pages by participants in a couple weeks after you’ve all had a chance to assemble.

Support the 100 day stitch book project and the always growing free pattern library.

Click here to add your support.

finishing the book

To finish your book start here.

None of what I’m about to say will make any sense to you unless you’ve reviewed the assembly pages linked above. I started putting my book together yesterday and I’m assembling a little differently this year. It’s going to take forever, tons of hand stitching.

The difference is leaving the page edges raw. I did this in a workshop in France last summer and liked the effect. You can check that out here. (PS if you’d like to join me for France 2024 please use the contact form to message me and I’ll hook you up with more info)

It’s easy to do but the hand stitching on all those pages takes a while. If you’d like raw edges just follow the book assembly instructions and at step 11 in the slot section you place the wrong sides of the pages together. And again for the tab section in step 9 you place the wrong sides together.

I put together my first two sections (according to the chart) yesterday. Checkout the demo below and then refer to the official instructions.

First you need to number the pages in the order you want them to appear in the book. 1 is the front cover and 20 is the back cover .

Then arrange the numbered pages according to the chart.

Sew the seams for the first two sets of pages (section 1 on the chart).

Press the seams open.

For the raw edge finish place the wrong sides together.

And hand or machine stitch around the edges. The tab and slot edges are not raw – they are folded in and should be whip stitched closed – just follow the directions here.

Just like last year I’m a little happy and a little sad this is over. Daily commitment is hard but once again It was so worth it. How about you? Are you assembling your book? Did you have a favorite page? Let us know in the comments and share images on facebook and instagram using #annwoodstitchbook or join us in the community!

textile book tutorial part two – making the sections

February 23, 2022

by annwood

comments 29

* The tutorial is divided into 2 parts. Please read both parts entirely before beginning. Seriously, it helps. Start here.

The book has 20 pages, including cover and back. There are five sections – each composed of 4 rectangles/pages.

3 sections have slots.

and 2 sections have tabs.

This tutorial demonstrates how to construct the two kinds of sections in the book – slot and tab. Before you begin to sew the sections please read this post on how to create and organize the pages.

You will need:

your 20 pages/rectangles
chopstick or similar
a basic sewing kit
embroidery thread

make a slot section

: 1.

: 2.

1. To make a slot page take two rectangles and lay them out with the right sides facing you.

2. Place one over the other – right sides together.

: 3.

: 4.

3. Draw a half inch margin down the right hand side of the top piece.

4. Clip the short lines on your page pattern. Fold the center section back.

5. Place it over the rectangles and mark the short horizontal lines.

6. Sew the half inch seam above and below those marks.

lucky fish : slow stitch project

September 18, 2020

by annwood

comments 137

Who doesn’t need some luck? Plus these very simple fish are pulling me out of slushy, stubborn stuckness.

One thing leads to another, if you let it, but first you need to start. Where I really started was ironing, ironing scraps. It went on my to do list because it was an easy win (I felt like doing it). And I had saved a couple bundles of scraps, each sent by a friend, to sort and iron pre-move.

As I ironed and sorted by color the wheels started to turn and I felt a strong and persistent spiritual directive to slow stitch some fish.

Maybe you feel like stitching some fish too. Let it be a meandering process, try stuff. Let one thing lead to another.

** DOWNLOAD THE FISH TEMPLATE **

You will also need:

fabric scraps – light cotton or linen
little scraps, buttons lace for embellishing
stuffing
a basic sewing kit
pencil

1. Pin the pattern to 2 layers of light cotton fabric – right sides of the fabric together – and cut out. Be sure to clip out the little triangle notches.

: 2

: 3

2. Mark the seam line lightly in pencil.

3. Stitch the seam by hand or machine, leaving open between the notches. Find hand sewing tips here.

: 4

: 5

4. Clip notches around the curves and clip off the points at the nose and tail. Be careful not to clip the seam.

5. Use a chopstick to turn the fish right side out.

: 6

: 7

6. Pro tip: use a plastic mechanical pencil to push out the corners – retract the lead first.

7. Stuff your fish.

strange specimens and bird work

February 15, 2019

by annwood

comments 5

Spongy and irregular. That’s what I’m looking for, in mushrooms anyway. Strange specimens, just yanked from the earth. I want you to smell the fungal forest air.

The fabric on the mushroom with the puffy and stripey undercap was made using the bleach printing method we talked about a few weeks ago. I did one thing differently this time and made the bleach marks with a paintbrush after sewing and before stuffing

get the mushroom sewing pattern

If you’d like to invent your own shapes and sewing patterns good place to start with sculptural/ 3 dimensional sewing (like toadstools) is by experimenting with sewing spheres. Play with the edges, taper one end, experiment with the number of pattern pieces, cut them in half etc. and see what sorts of shapes you can create.

The free sphere template above will help get you started. This mini seed pod is made from the 3 part sphere template (printed much smaller) and elongated a little at one end.

Tiny fly inspected, tiny fly approved.

I’m working on songbirds too – made from antique garment scraps. The indigos are Japanese and the earth tones are mostly linings from edwardian dresses.

get the songbird sewing pattern

What are you making? Have you tried the needle book or the tiny dishes? I’m putting together a post of things made from my patterns and tutorials. You can send photos to me at info at ann wood handmade dot com or tag your photos in instagram with #annwoodpattern.

domestic sewing : confronting the throw pillow situation, a re-write and little paintings

January 3, 2019

by annwood

comments 19

It’s pretty New Yearsy around here. I’ve got all sorts of plans and aspirations for the year ahead. Before the end of 2018 I made myself finish a personal project, I confronted some domestic sewing.

Like you, I wanted to start the New Year with a solid throw pillow situation. It has been kind of a mess for a while, definitely not bringing me joy. I had a bunch of ideas to make it better but they had been lingering on my someday list. For years. Deadlines are awesome. Making the dawn of 2019 the due date got me motivated to churn out some decorative pillows. Once I got going it was fun.

And I made a cover for the seat too, from grain sacks I got in France last summer. They got super soft after I (machine) washed and dried them and I pieced my favorite parts together. They have lots of beautiful mending and I love the colors.

I made the pillow covers from old fabric from friends (including some glorious and ancient things my friend Ching sent me) and more things I picked up at French flea markets last year. By the way there is one spot open in each of my trips to France this summer – click here for June 21-28 and click here for July 1-8. Come to France with me! And then go home and make some throw pillows…

With the couch in happy condition my first official work project of this year was a long overdue re-write of my about page. Especially if you are a new visitor it’s a good place to start.

And also in the New Year’s department I re-committed to my daily painting and drawing project. So far so good. Daily practice is no joke, it’s brutal sometimes but I know I’m better off doing it in lots of important ways. The positive effects on my thinking, creativity, idea generation and focus are huge. I’ll scale back to drawing when traveling probably but if I flake on this again you should yell at me.

The holidays were unusually happy and slow and peaceful for me. I spent a lot of it in pajamas eating cookies with a cat on my lap (I regret some of the cookies). It was pretty nice but I’m happy to be back to business as usual now. How bananas are you? I’m pretty bananas. I require huge amounts of time by myself to think and work and I like routine a lot. I’m luxuriating in time and space and ordinariness now, percolating all sorts of ideas….

the dastardly owl sewing pattern is in the shop

December 9, 2018

by annwood

comments 10

Make this owl. This imperious and condescending owl. He measures 9 inches tall from disgruntled talon to sinister horn. And the pattern scales well if you would like to try a larger owl.

The PDF pattern download is 31 pages long and has more than 130 color photos. You’ll learn how to construct the basic body shape and talons as well as my system for creating owl-ish layers of feathers and a dastardly expression. Every element is broken down into steps and fully explained.

The pattern has all the top secret tricks I’ve come up with over 12 years of making ill tempered owls. And I’ll share this one with you here:

When the layers are fully assembled spritz with water or spray starch if you like.

And run a hot iron over the feathers. I do it to his face too (so rude) to adjust his dastardly expression. It has a magic effect, un-ruffling the feathers and giving the layers extra owly-ness.

I’m so excited to share this pattern with you! I’m so glad it’s done! I can’t believe how much work it was!And I hope you make owls!

Do you get my free weekly-ish newsletter? There are tips and tricks, ideas, stuff to try, all the latest news and blogposts and extra stuff, just for subscribers, delivered mostly on Friday. Pretty much.

printing fabric with bleach for stitched mushrooms

December 2, 2018

by annwood

comments 15

The quest for the perfect organic dot fabric for toadstools is never ending, I’m always on the look out for fungal feeling dots, speckles and marks in general and I’m super particular. Shopping in LA a few weeks ago there was lots of nice batik stuff that was close but no cigar. I described my dream fabric to my friend Molly and she said “dude you could totally make that”. That is such a good attitude. Yesterday I experimented a little. And dude, I can totally make that, so can you.

Gather some cotton fabric, bleach, wax paper and tools for mark making. I tried all sorts of things, rubber stamps, pallet knives, brushes, straws, cardboard, spools, on and on. Also put on an apron and some gloves and do this somewhere very well ventilated or outside.

I had one little dish of straight up bleach (you just need a little) and another diluted about 2 parts bleach to one part water. I put wax paper under the fabric and started making marks. My favorite tools ended up being a pencil eraser, putty knife, a stiff bristle brush, a toothbrush for splattering and a little spool that I glued a piece of wool felt to one end of. A cork would have been good too – just thought of it.

The marks take a moment to begin to “develop”. I let most of the fabric sit for about 20 minutes before rinsing. I have googled/pinterested around and there are all sorts of interesting things you can do with this technique and you can get pretty fancy about it. Find a great tutorial here and another here.

find the mushroom sewing pattern here

I love how they turned out, the bleach prints are so perfect for little fungi and there are endless things you could experiment with to make marks.

Do you get my free weekly-ish newsletter? There are tips and tricks, ideas, stuff to try, all the latest news and blogposts and extra stuff, just for subscribers, delivered mostly on Friday. Pretty much.

pick up a thread and follow it, small stitch experiments

August 3, 2018

by annwood

comments 33

Part of the day today was devoted to waking up the experimenter in me. It needs some encouragement so I gave it an assignment, an easy assignment. I’ve been filled with reasons why I can’t do things lately so it’s a baby steps approach: make something small, make something fun, start without knowing.

One thing leads to another, if you let it. But first you need to start. Sometimes without knowing where you are going. If the experimenter in you needs some encouragement too please join me in the little assignment.

Start by gathering things, inspiration, things to think about and things to work with. Arrange and rearrange and look for happy accidents.

(P S – the fossil above is an ammonite. It was a gift and I love it.)

And then try something, listen for the whisper of an idea, pick up the thread and follow it. Follow it around corners and into shadows and back into the light. Keep following and keep responding and noticing. Be curious.

There are no mistakes, only information, a yes and, why not, lets see what happens process.

I like what turned up today, my little stitch experiments feel like amulets to me. And they were indeed medicine. I had fun and lost myself in the process. And I’m just getting started, the idea has momentum and there is lots more for me to explore here. If the amulet idea appeals to you as a shape for your experiments I hope you try it and I’d love to see what you come up with.

Do you get my free weekly-ish newsletter? There are tips and tricks, ideas, stuff to try, all the latest news and blogposts and extra stuff, just for subscribers, delivered mostly on Friday. Pretty much.

an entirely satisfying activity involving scraps

May 18, 2018

by annwood

comments 12

All you need are scraps. And a sewing machine. It is the kind of thing you could lose yourself in, the next thing you know hours have gone by and there are miles of it. It’s a meandering process and an invitation to happy accidents, there are no mistakes, it is not careful (except keeping your fingers away from the needle) and there is no planning. The perfect thing if you are feeling the need for something spontaneous. Just start and keep adding stuff.

My approach was pretty bare bones and I had lots of fun. What is your scrap situation like? I’ve got tons and lots of it very small. I dumped the whole thing out and started pulling out the tiniest scraps, the un-sewables, the little whispers I can’t let go of.

Start with one piece, add another and another, machine stitching through the whole thing, sometimes bunching or curving the little pieces. I can’t stop. And they don’t need to be lace, I’ve got cotton scraps too and I’ll try those next. And you can add other stuff and get super intricate and detailed – find a tutorial here.

You could use the garlands for packages or hang them (maybe with some twinkle lights and paper mache ships) or stitch them onto doll clothes or your clothes or make a crown for somebody little.

I made a mini one to use as a roiling sea for this little boat. Find the free mouse pattern here and the free little boat pattern here.

woodshedding birds and owls

April 20, 2018

by annwood

comments 14

I’m in the woodshed with songbirds. Evaluating the pattern and steps, testing and adjusting little things – using what I learned teaching the workshops last month to make the pattern all I want it to be.

My friend Mickey introduced me to the term woodshedding and I love it:

“The ability to conjure up a feeling of wonder in others, to create a sense of awe, has always fascinated me. And while I do believe that magic can just “happen” under the right circumstances, creating magic is a much different story. It involves a lot of hard work, endless study and a constant refining of process and craft. In music, they call these periods of intense practice woodshedding, referring to the time spent honing skills privately out in the woodshed.”

Mick Riad – Creative Director, Fortuny

I think it is my favorite place to be, in the woodshed with something. Discovering, testing and refining. Deep in a learning process.

I’m also woodshedding owls to prepare for the dastardly owl workshops this fall (I think there are 2 spots left). Eventually they will also become a pdf and print pattern too.

What’s going on in your woodshed?

Update – the songbird and owl patterns are available in the shop now:

fly inspected, fly approved and a tip for sewing with difficult fabrics

April 6, 2018

by annwood

comments 16

Velvet is difficult to sew sculptural forms with and I very rarely use it for shapes. Even with lots of pins things tend to slide around and the weight and pile make it unforgiving, mistakes show and are hard or impossible to adjust by stitching from the outside.

I discovered that stapling the fabric together works magnificently well and does not harm the fabric. I stapled right at the edge, outside the seam line, and everything stayed in place as I sewed.

I’m very happy with the shape, he is round in all the right places, the pattern pieces snapped together perfectly and he already has a bad attitude.

I’m making owls from the new Fortuny printed velvets. They are exquisite, the colors, the feel, the patterns, everything.

get the owl sewing pattern

A note on the beautiful pins – they are entomology pins. They come in lots of sizes and colors, the quality is excellent and I love the way they look. You can find them here.

Most people don’t realize that all of Fortuny’s fabrics are inspected by a tiny Venetian fly. A diligent and thorough fly. It is careful and slow work requiring long hours and true dedication.

It’s a big job for a little and old bug but he has been content in his duties, happy even, for many, many decades (no one knows exactly how long, it seems he has always been there).

Lately someone new has started showing up, a dragonfly, all huge and full of himself and suggestions, you know how dragonflies can be….

Do you get my free weekly-ish newsletter? There are tips and tricks, ideas, stuff to try, all the latest news and blogposts and extra stuff, just for subscribers, delivered mostly on Friday. Pretty much.

happenstance, chance, accidental beauty

April 6, 2018

by annwood

comments 8

Why does this stitching, born solely of necessity, produce such compelling and powerful compositions? Does some perfect rhythm, some harmony with the universe reveal itself if we get out of the way?

And intertwined with the aesthetic appeal there is another sensibility about these patched and mended textiles. Stephen Szczepanek refers to Boro as having soulful beauty. I think that’s perfect, their unassuming and utilitarian nature and their absolute integration with life communicate an intimacy and humanity that is exquisite.

I chose some of my favorite examples of patched and mended old cloth to share with you below – click the images for the larger versions (all photos by Sri Threads).

There is beautiful evidence of time and use everywhere. I’ve been photographing my paintboxes for years, to record their transformations.

Like the Boro pieces I love them for their accidental beauty and for inspiration – there are so many things to think about and so many places to begin in them.

Note: this post was originally published in 2015 as part of my big creative year series and was edited and updated with new images on 4/6/2018