Tag: textiles

Part of the  day today was devoted to waking up the experimenter in me. It needs some encouragement so I gave it an assignment, an easy assignment. I’ve been filled with reasons why I can’t do things lately so it’s a baby steps approach: make something small, make something fun, start without knowing.

One thing leads to another, if you let it.  But first you need to start. Sometimes without knowing where you are going. If the experimenter in you needs some encouragement too please join me in the little assignment.

Start by gathering things, inspiration, things to think about and things to work with.  Arrange and rearrange and look for happy accidents.

(P S – the fossil above is an ammonite. It was a gift and I love it.)

And then try something, listen for the whisper of an idea, pick up the thread and follow it. Follow it around corners and into shadows and back into the light. Keep following and keep responding and noticing.  Be curious.

There are no mistakes, only information,  a yes and, why not, lets see what happens process.

I like what turned up today, my little stitch experiments feel like amulets to me. And they were indeed medicine.  I had fun and lost myself in the process. And I’m just getting started, the idea has momentum and there is lots more for me to explore here. If the amulet idea appeals to you as a shape for your experiments I hope you try it and I’d love to see what you come up with.

Most people don’t realize that all of Fortuny’s fabrics are inspected by a tiny Venetian fly.  A diligent and thorough fly.  It is careful and slow work requiring long hours and true dedication.

It’s a big job for a little and old bug but he has been content in his duties, happy even, for many, many decades (no one knows exactly how long, it seems he has always been there).

Lately someone new has started showing up, a dragonfly, all huge and full of himself and suggestions, the sort that has come and gone before….

I’m making owls from the new Fortuny printed velvets. They are exquisite, the colors, the feel, the patterns, everything. Velvet is difficult to sew sculptural forms with and I very rarely use it for shapes.  Even with lots of pins things tend to slide around and the weight and pile make it unforgiving, mistakes show and are hard or impossible to adjust by stitching from the outside.

I discovered that stapling the fabric together (don’t tell that tiny fly) works magnificently well and does not harm the fabric. I stapled right at the edge, outside the seam line, and everything stayed in place as I sewed.

I’m very happy with the shape, he is round in all the right places, the pattern pieces snapped together perfectly and he already has a bad attitude.

get the owl sewing pattern

A note on the beautiful pins – they are entomology pins.  They come in lots of sizes and colors, the quality is excellent and I love the way they look. You can find them here.

I’ll share finished velvet owls and some other new creatures with you next week.

Onward,

ann

Vibrant color with some smokeyness to it.  Worlds and continents and centuries overlap in this little collection of textiles. Antique garment fragments from Japan, 18th century silk and velvet and shimmering patterns from Venice.  And all of them found me.  Marvelous serendipity.

I like thinking about all the things that had to happen in the world across hundreds of years for this bird to be, a crimson and scarlet girl who had her beginnings in the 1700’s.  What has she seen, what does she carry with her.

Find the songbird sewing pattern here.

I spend huge amounts of time selecting fabrics, lingering in the choices, it slows me down in a way that I need to be slowed down sometimes. I have always loved to do it. Ask my sister, she will tell you that I loved to spend hours in the attic on a rainy day sorting through endless bags of scraps (I come from sewing people)  imagining what I might make.

I’m doing lots of slow songbird work still. trying things, taking notes and making tiny adjustments. The part I most look forward to teaching you is transforming the basic shape into a bird, adding layers of feathers and details. There is so much opportunity for happy accidents.  An imperfection, one wing a little askew  or a tail feather poking out can suggest the funny, expressive little motions of a perched bird.  Birdness.

The deep mineral tones are spilling into other work too. I interrupted the bird work to make a toadstool because I was in need of some immediate gratification.  Toadstools are quick to make, especially the minis, this is made from the sewing pattern printed at 75%.

And The Major, in aubergine, charcoal and graphite with little bits of silver and warm rose. I love him. Especially his fancy bicorne.

Cozy is my specialty.  I love twinkle lights on pearly gray days, lots of plants and lots of quilts. Three of my favorite old quilts have serious and progressing issues.  I’ve been thinking about fixing them for a while and one of them has reached a point that demands immediate attention. It’s a quilt emergency. The other two are technically coverlets, no batting,  so their problems can wait a while.

The largest and most seriously forlorn quilt is loosing stuffing all over the place.  More of it is falling apart than not. It is probably not reasonable to try to fix it. And I know once I start it is a life long commitment, that it will spring new leaks and eventually be almost entirely repair with just little bits of the original fabric peeking out. I’m fine with that.

I’m motivated partly by my attachment to it, partly by a love for fabric and also because I think it might get interesting. I’m approaching the repair wabi sabi style, boro inspired patching and a meandering stitch.  Some patches with turned edges and some with raw edges, an improvisational yes and process embracing happenstance.  I started by basting muslin over the big problems and then working in and around those areas with smaller patches. I like doing it and I like what’s happening to it. I will keep you posted as it develops.

In other quilt news the latest issue of  Homespun Magazine (Australia)  has a pattern for the quilt block on the cover and lots of other projects. They always have an impressive array of projects and patterns in every issue.

And I’m in it too! Thanks so much Homespun. Digital copies are available here.

Sometimes I begin with somebody in mind and go looking. I spend a long time choosing, experimenting and thinking about just the right combination of texture and pattern and color. The indigo for the blue owl is all from Sri Threads. I love the variety in the blues.  Some other lovely old cloth from Sri is below, miraculous color and  wonderful mending stitches by other hands.

The black and dark greens for another little owl are mostly Edwardian garments. I love the way the blacks fade, usually leaning purple or green as they do.

Sometimes the beginning is entirely serendipitous, a suggestion from the universe. A combination I had not thought of and I was not looking for appears and I get an idea.

I saw a sailboat and mrs. rabbit and made them immediately. They are both quick projects and  a good break from some slower work. Mrs. is made from the mr. socks pattern. I added long ears and reduced the size of the head cover by one quarter inch all around.

I’m also working on sewing patterns. I’ve got a bunch in progress and they are all a little stuck so I’m applying a creative sprint to the two that are closest to finished this weekend: the captain charmley doll and the mushroom print pattern. I can’t wait to share my method for creating his head and hair with you. So easy.

I’ll focus on just those two until they are done. After that I’ll start working on others again including a print version of the paper mache ships. It is a massive undertaking.

And pink. A soft, moody pink. Just right. It’s made with avocado dye. I had no idea. This came up in the comments section to last week’s post (thanks Alicia). I made guacamole and then boiled and simmered the 5 pits for a couple hours. I love it. Have you tried this?