* Update – The workshop has sold out but please add your name to the wait list if you were hoping to join – cancellations do happen.
Registration just opened for “Natural History” a three day creative retreat with The Makerie in Boulder – September 22nd to the 24th.
Our assignment for our three days together is to create and document an imagined natural history. We will look for inspiration at the intersection of history, poetry and nature, working collaboratively as well as individually to create and photograph a collection of specimens. We’ll use textiles, paper, found objects and a variety of other tools, techniques, materials and inspiration I’m bringing.
I’ll guide you through improvisational (and fun) exercises designed to spark you creatively, help you dig deeply into your imagination and generates ideas. It’s a spontaneous, “yes and” way of working – each action builds on the previous – you work with what shows up. It’s less about finished works and more about making connections and recognizing serendipity and happy accidents when they appear. We will pull ideas and details from our experiments as a starting point for designing and making our plants and creatures.
On our last day together we will style and photograph our specimens individually and as a group. I’ll share tips for creating compelling compositions and moods, simple lighting hacks and other seat of the pants techniques that I use in photographing my own work.
This is a workshop about experimenting, collaborating, playing and getting out of your own way. That is a life long daily challenge for me and I love sharing what I’ve learned so far. I hope I can help you be a more intrepid explorer of your imagination, reach past the territory you’ve already navigated and expand your skills for sharing that world.
Sounds like fun to me and I hope to see you there! If you’ve got questions please send me a message – I’m happy to help.
*registration has closed but you can still join the wait list here.
It’s such a mistake to let too many unfinished projects pile up. The weight of all that isn’t done can really mess with a person’s momentum and momentum is key. When it happens the only way through is to start finishing things – one at a time. This week I’ve been finishing stuff – big stuff and little stuff. A wooly edwardian owl was the first – he was nearly there so it was an easy win.
He’ll be in the shop next week with some songbirds and other creatures – you can sign up here if you would like an email notification when the new things are available.
Crossing just one thing off the list makes a huge difference, the shift is instant and it’s easier to tackle the next – as each task is completed momentum starts to snowball and replace the self perpetuating overwhelmed and stuck feelings. My next project was finishing up my improvisational doll experiments – also lingering in “all most done”.
He stepped right out of a Jane Austen novel, one of her steady hearted colonels. I love him. And he is excellent at guarding books.
A large project got finished too, creating a new workshop for this September. Come see me in Boulder!
That’s me – in my middle aged art lady uniform. The linen smock (by Cal Patch) really is my uniform – if you run in to me in Brooklyn or come to Colorado there’s a pretty solid chance I’ll have it on. This is my first 3 day workshop ever and it’s presented by the Makerie September 22nd through the 24th. 3 days to explore something with a small group sounds marvelous. The title of the work shop is Natural History.
I can share all the details with you next week and registration will open then too. For now I’ll leave you with this very little fly I made to bring to Boulder with me.
Before I tell you about the workshop I have to tell you that the squam art retreat, where I’ll be teaching it, already sold out in pre- registration – both spring and fall sessions (there is a waiting list and stuff happens in a year so …. contact squam to get on the list). That’s the bad news. The good news is – just today I learned of a scholarship opportunity being offered by Honey & Oak:
We are offering one spot to attend the Squam Workshops either for their Spring session (June 7th – June 11th 2017) OR their Fall session (September 13th – September 17th 2017). You get to choose what works best for you! In addition, we will provide a $500.00 stipend to be used towards Travel Expenses and Extras.
It’s a pretty sweet deal – find all the details on how to enter right here. You must enter by January 3rd.
And also – just so you know – September will be the 10th and last retreat – I’m sad to see it go – it has been a truly marvelous experience.
In my diorama workshop (fall 2017) we will explore the poetry and spirit of things. I’m bringing all sorts of things to play with and we’ll forage the magnificent fall Squam forest for natural elements too. The compositions that emerge might be entirely abstract or tell a story, they might reflect an inner landscape, an outer landscape or an intersection of ideas – intersections are always interesting places.
There is more info on the class and retreat here.
I hope your holidays are lovely,
The Sweet Paul Makerie is coming to Brooklyn! And not even just Brooklyn but my neighborhood – a couple blocks from my place – so good. I’m offering 2 workshops- ship building and an intro to 3 dimensional sewing (a stitched rutabaga!).
The rutabaga is a good introduction to sculptural sewing and working with spheres ( there is a free sphere pattern here if you’d like to experiment). And they have a secret ingredient that makes them perch in kind of interesting and root-vegetabley way.
I taught a stitched botanical class in 2015 at the Philadelphia Makerie and had a marvelous time – it was a beautiful event in every way – every detail thoughtful and lovely – so looking forward to the spring retreat.
Do you get my free weekly-ish newsletter? There are tips and tricks, ideas, stuff to try, all the latest news and blogposts and extra stuff, just for subscribers, delivered mostly on Friday. Pretty much.
Briefly – as there is much to cover today – the very first print pattern is in the shop. I’ve turned the tiny rag doll sewing pattern into a 16 page hand illustrated booklet accompanied by three pattern sheets.
It’s the first day of fall – it doesn’t feel like it but it will by Sunday and I’m looking forward to it – it’s been an airless summer in NY. I got an excellent dose of forest, air and space at The Squam Art Retreat and so did mr. socks. I also came back with lots of creative energy – I love watching people move through their process and getting glimpses into their imaginations. I taught two experimenting with dolls workshops and was impressed by the willingness to truly experiment and try things – to pick up a thread and follow it. It certainly isn’t easy but can take you to interesting and unexpected places. I’m deeply grateful to everyone who participated for their willingness to be open and vulnerable – I loved being part of it. I’ve shared many dolls below and some were still being worked on – I hope to show you those soon- good things were happening…..
Sondra’s enchanted fish
Autumn’s gentleman moth –
“my name is Cedric Randolf. i am a moth, I fought in the Boar War. i am quite wise and quite old. in one eye i have a cataract, with my other eye i see only goodness”
Rabbit Girl (in process) by Tricia
The moon – and all her phases…. by Jaime (fancy tiger crafts)
Vanessa’s Edwardian lady
(lots more photos after the jump)
The toadstool pattern is just about done. I’ve got a few steps to reshoot and then a little more work on the document and it’s ready to go. I’ve taught this class a couple of times and that definitely helped in writing the steps.
It took two years of experimenting to get the shape I wanted in my toadstools. Two years of almost there but not quite. I am pathologically persistent – relentless. The most difficult part was finding a reasonably efficient way of making the concave shape for the underside, reasonably efficient and reproducible. I tried so many things – some with interesting results – like foam padded bra inserts – but it wasn’t exactly what I wanted. What I ultimately came up with is simple and has a lot of flexibility – the shape and effect can be varied with little adjustments – it’s fun to play with.
(photo by Andi Schrader)
I loved teaching the class – the steps seem odd until all of a sudden a toadstool appears. I hope one of the takeaways from my botanical experiment classes and this pattern is thinking innovatively about shape building and materials.
So stay tuned and if you would like to be notified by email when new patterns are released you can sign up here.
I got back from Squam on Sunday – tired to the bone, happy and satisfied. It was such a good time – 4 days in the spectacular New Hampshire forest making toadstools and seedpods. And it really feels like summer camp, a bell rings for meals 3 times a day, the cabins are rustic and charming and have lovely fireplaces that are magically filled with logs when you’re not looking. The nights were cold and the days were warm – the perfect climate for me. I caught up with old friends, made new friends, expanded as a teacher and came home inspired and full of ideas.
The student work was fantastic.
Thanks to lovely Christine Chitnis for the photos below and checkout lots more in her beautiful Squam post – you get a real sense of the place and the experience.
I spent last weekend in Philadelphia teaching at the sweet Paul Makerie. I came home equally spent and inspired. The whole Makerie experience was fabulous – fascinating people, spectacular class line up (I would have loved to take all of them) and it had Sweet Paul all over it – every detail thoughtful and exquisite.
I taught Stitched Botanicals – seed pod forms in textiles. Teaching is new to me and I feel my feet under me more each time. I had wonderful, generous, open students – willing and enthusiastic about trying stuff – I was blown away with what people made.
Getting out of my cozy bubble once in a while is so good for me, this was, among other things, a gathering of like minded women, there was such a feeling of belonging and I learned a ton. I came home with a bunch of new ideas and feeling like my world got bigger.
I’ve been a huge fan of Sweet Paul since he began way back in olden times (I make this mushroom dill sauce almost every week). Before the magazine there was a blog and then a digital magazine and now the gorgeous quarterly print magazine.
It’s exceptional – the kind of thing you save. Paul came to visit last October and I’m featured in the current edition. I couldn’t be more excited – there is an interview and pictures of my place and work. It was shot by Colin Cooke whom I loved. I’m terribly awkward about having my picture taken and he taught me a fabulous technique I call “laughing to the side” – check it out in the feature or see it employed on my about page.