Category: my big creative year

happenstance, chance, accidental beauty

boro textile

boro textile

Why does this stitching, born solely of necessity, produce such compelling and powerful compositions? Does some perfect rhythm, some harmony with the universe reveal itself if we get out of the way?

And intertwined with the aesthetic appeal there is another sensibility about these patched and mended textiles.  Stephen Szczepanek refers to Boro as having soulful beauty.  I think that’s perfect, their unassuming and utilitarian nature and their absolute integration with life communicate an intimacy and humanity that is exquisite.

I chose some of my favorite examples of patched and mended old cloth to share with you below – click the images for the larger versions (all photos by Sri Threads).  

There is beautiful evidence of time and use everywhere. I’ve been photographing my paintboxes for years, to record  their transformations.

Like the Boro pieces I love them for their accidental beauty and for inspiration – there are so many things to think about and so many places to begin in them.

Note: this post was originally published in 2015 as part of my big creative year series and was edited and updated with new images on 4/6/2018

momentum

Momentum is crucial, and when you’ve got it,  you’ve got it and when you don’t, you don’t. Lack of momentum is why the wheels come off most New Year’s resolutions by February, why projects get abandoned and ideas get filed permanently in the someday folder. I started this blog 12 years ago (officially in february) – my first official post was titled momentum because I felt like my creative life, my personal creative life was in the someday folder.

cardboard stampede

12 years later I still work hard to maintain my momentum and occasionally I lose it and find myself in the doldrums. It happens for lots of reasons, failures, discouragement, disappointments, obstacles or plain old fatigue but most often it’s because I’m feeling overwhelmed, overwhelmed with tasks, or choices or possibilities, overwhelmed with indecision, overwhelmed with all that isn’t done. When I lose it the only fix is action. Easy to say, so hard to do. Inertia is so heavy and oppressive, but there are a couple things I say to myself that do help when there is no wind in my sails:

it’s easier to keep going than to start

Just telling myself that helps immensely. And it means two things for me – it’s smart to make it part of my day to do things that keep momentum alive, basic things like structure and habits that support forward motion, even very small things, done consistently help a lot.  And when I do find myself dead in the water I need to take some small action (it can be really small) –  just start – bust out of the inertia. I posted a while ago about getting stuck and ways to get past it here.

my best work is ahead

I believe this and it saves me, I just need to remind myself once in a while. It makes me not quit and helps me live and act in uncertainty. It pushes me to let stuff go, take the next step  and try new things. I feel like I’ve barely gotten started and I’m so curious about what’s next, its a powerful reason to keep moving, to get through storms and doldrums, to see what’s around the next corner. If I quit I’ll never know.

try

note : I’ve been updating and reposting some of me big creative year posts from 2015. They are ideas that are very much on my mind as I start the new year. I’ve got big plans and apparently I find myself very inspiring. This is one of my favorites from the series.

so long 2017, mending sleeves and bold moves

contemporary holly hobby

ann wood : mending

Everything feels slow and still and there is lots to think about so I am mending. I love to mend, I love the thrift and economy and the meandering pace of it. I love how it looks and what it means, these are badges that tell you something about me.

ann wood : mending

contemporary holly hobby

While I patch my sleeves and collars and knees I’m thinking about the year past and my plans for the next. I’ve got big scary plans and I’ll tell you about them in a minute.  First I want to tell you a painful lesson I learned about attention.

A few years ago I sort of learned to ride a motorcycle.  Slow in the driveway. I was bad at it.  The most serious problem I had was driving into things: trees, houses, people etc. I googled the problem and found an answer, the fix was remarkably simple and easy:

To not look where I did not want to go.

I was so afraid of driving into the tree, the person, the house etc. that I focused on them and they pulled me like a magnet.  The result was awkward and painful. When I only looked where I wanted to go it was like magic.

Starting now I’m keeping my big plans in front of me. Looking where I want to go. Making myself focus on the big scary things I want to accomplish in 2018.  Everyday.  Keeping the big stuff in front and working backwards from there. The little stuff will align because it must.  I’ve been thinking a lot about what’s next.  Feeling around for it for a while.  This will be a year of change for me.  I want it to be and I want to make sure my plans don’t evaporate in distractions and busyness.  I’m going to give myself very clear, consistent and simple messages about what is important:

write the book

paint the paintings

move north

Pick yours and we will talk more about it next week.

I’ll leave you with one success and one failure from 2017.  First the success. The most popular pattern this year was the tiny rag doll and that is a happy and unexpected thing.  I love the idea of lots and lots these tiny bundled up ladies in the world.

tiny rag dolls

The failure was falling out of my sketchbook habit mid year.  I miss it and feel the lack of it in all my work.  I’ll resume my small, daily squares this  Sunday.

Thanks for showing up and I wish you a beautiful new year,
ann

my big creative year : audacious thinking

forest diorama

note : I first published this post in 2015.  As I’m making plans for the new year audacious thinking and big changes are on my mind, maybe they are on your mind too.

Thinking outrageously, hypothetically removing limitations and entertaining wild possibilities is a good creative exercise, a good thinking tool and I use it often to get unstuck or to work through an idea. But applying that kind of thinking to my life and work in a larger way has been difficult. This weekend I spent time thinking about this question:

What if I could do anything?

If money was no object, if there were no obstacles, no chance of failure or negative consequences – what would I do? I think truthful answers might be enlightening, there might be signposts and arrows among them but I find the question paralyzing.

I’ve never been good at thinking big about my life, my work, thinking audaciously. Big makes me nervous. And it seems to me that I endeavor in the other direction – so much of what I do, what I’m attracted to and what I create for myself is small, the world recreated at a more manageable and comfortable scale.

forest diorama

I find it hard to turn my practical brain off and I think a large part of me never wants to be caught with grand plans – a deeply ingrained belief that modesty is a virtue. I’m fortunate, one thing has led to another and all sorts of wonderful things I could not invent have occurred, it feels somehow ungrateful to reach and it is incredibly difficult and uncomfortable to really get my head around the question. My answers, my list, mostly doesn’t feel very audacious, it feels quite tentative in fact so I’m going to keep working on it – look harder. Getting myself to write anything at all was like pulling teeth, there were a couple surprises though – here’s what I’ve got so far:

I would paint and draw a great deal

I would learn to surf – nothing crazy- little waves

I would plant a garden

I would cook a lot

I would travel a little

I would wander a lot

I would take a hand built pottery class (that seems pretty do-able – I’m looking into it)

Actually – I would take lots of classes – I could fill the rest of my life with that

I would have dogs and cats and goats

I would make a picture book for children or maybe children and grownups

I would make dioramas

I would buy a very old house

I would swim often

I wonder if you ask yourself this sort of question – if you find resistance in your thinking or spectacular visions – I’m curious – if you feel like sharing please do.

margin – or, panic early

I first published this post more than two years ago. In all of my 11 years of blogging it is one of my favorites. It is also still my biggest struggle. I’m sharing it with you today for two reasons:

  1. For the first time in a long time I haven’t got a blog post this week. I’m occupied with filling orders, details for upcoming workshops and beginning to plan new classes and workshops for 2018 (including at least one in Europe…… stay tuned).
  2.  The message, the idea of margin, is one I need to hear and apply again and again but especially right now. It boils down to this – when there is certainly and officially too much to do – the only sensible thing is to decide to do less. Ideally before it gets decided for you.

I’m forcing myself into my high gear, last minute place, that magic spot where priorities are crystal clear and hard decisions get made easily. I’m forcing myself into that place a little early so the week before I leave to teach I’ll be one of those super chill prepared people. For the first time. Ever.

(This post was originally published April 2015 – I’ve updated with images of preparations for my natural history workshop)

Had I already mastered the idea of margin in my life I wouldn’t be editing this post 20 minutes before I need to publish it. But I have not mastered margin, not at all. Margin is the space between, the room left for error or chance, the cushion, and I rarely have any. I’m the guy hand making one more Christmas gift at 2 AM on the 24th, 10 year old me was adding glitter to my styrofoam ball planets on the bus to the science fair. It isn’t really about procrastination (although I’m great at that too) – it’s more – I see some space, some room and think “why not add something?! Why not make it better?! Let’s do both!”.  It is a kind of misguided enthusiasm – it’s hard to say no to something I’d love to do even when I know there isn’t enough time. It also comes from fear of lack – fear that the universe will find me ungrateful and opportunities will disappear, it’s living in fear, fear of scarcity. And I am a wishful thinker, I catch myself all the time planning for things to go perfectly, filling every possible moment with commitments, scheduling things back to back or overlapping. It feels like I’m being diligent, a hard worker, but I’m setting myself up to fail – when there is no room for error some little thing, like the printer breaking, can become a huge deal.

When you have margin you have options – so often in this life that I supposedly designed to afford choice I feel I have none. And I need to fix that. Fix it or miss out on my best work. Fix it or be swept along in the chaos – just reacting to emergencies.

I came across this article recently and for some reason it penetrated in a way that the idea just hasn’t before. It got my attention and it stuck with me and I understand something new: margin isn’t something that happens when things get magically better, it is a decision.

It’s a choice.

It’s a choice and a discipline, something you plan for. I don’t have a busyness problem I have a decision making problem.

It sounds simple – just plan for extra time  – but It means fighting against life long inclinations and habits, the temptation to fill every available minute is strong. My first move in the right direction is to figure out how to take one day a week completely off. Oh boy. My current situation is so far away from that I can barely get my head around the idea and at this point I think it’s going to take a while to make it happen. I’m hoping for progress, not perfection, for improvement, some sense that this is attainable for me.

So much of the new stuff I’m trying is working but I think this one issue is the lynch pin, the biggest obstacle, the thing between me and real improvement in my work and my life.

the creative sprint : progress on the naked rag doll pattern

naked rag doll pattern progress

snow day in brooklyn

I had such a nice day today. And I wasn’t planning on it, I was planning on having a lousy day. The snow helped – it’s the delightful kind, mostly because there hasn’t been much of it this year and I don’t have to go anywhere or shovel it. I didn’t have any spectacular reason for a lousy day – just frustrated with my pace. Feeling a little stuck on a couple projects.

I am determined to increase productivity this year – in part by being very clear with myself on what that is. It is not busyness, it is not planning, it is not “research” (AKA the internet), it is not perfecting, it is getting things across the finish line: publishing, shipping, completing.  All those other things are sneaky – and they trick me into feeling productive when I’m really not.  To break the inertia I applied a tried and true method – making a big, messy sprint towards the finish line. Deciding, just for today, to pick up the pace – bypass the over thinker within and make stuff. Jump right over details I’m struggling with and surge ahead. Try stuff.  In the simplest and I think most accurate terms:

Going forward instead of in circles.

prototyping the naked doll

I’m very prone to getting stuck in sewing pattern prototype creation – it’s so different from making a one- off. The rule for the day was – I’m not going to re-draw her face endlessly anymore – making minute adjustments to scale etc. I’m going to pick one and go with it.  I’m not going to try another different hair style or silhouette. I’m going to make a doll.

rag doll progress

naked rag doll pattern progress

Because I’m still who I am I can review, revise and refine tomorrow after a full day of rapid prototyping. It always works – the faster physical pace helps shift energy and lifts some brain fog. I can always make a much more reasonable and clear assessment at the end of a sprint day. The “experimental phase” of a project can be a dangerously sticky place – it almost always is for me.

If there is something you’re stuck on, if you are lingering in thinking about possibilities give it a try – for a day or even for an hour – the very least you will get is new information.

color as a starting point : beginning with black

black paper mache teacup

black paper mache teacupDid you know mica comes in black?! Well it does – blackish anyway and it’s lovely ( I got some here). I made a paper mache teacup and gave it a fancy, sparkly interior. The teacup reminds me of the black milk glass on my mother’s little shelf of treasures (P. S. – teacups make sweet  Mother’s Day gifts).

dastardly owl

Black is the color on my mind right now. I finished this scoundrel last week – he’s made of several antique bodices and a ancient moth eaten shawl – all in shades of black. I love the subtle variety in tones and the effect that limiting the palette has on my thinking and process. It made me wonder – what if I applied that same constraint to other ideas? I wandered around in my mind for a while and looked through my big note book of ideas – thinking about everything through a black lens. It was shockingly effective. That shift gave me lots of new ideas and curiosities and  fresh eyes on so many that had stalled and gotten back-burnered. It was a great illustration of the massive creative power of constraint.

The simplest thing – the smallest shift can guide you to new paths, new ideas and new places in your mind – shine a light on something that has been just out of reach in the shadows….. I am on a life long mission to shine a light into each and every one of those shadows.

I think it could be interesting to do a series of color studies (maybe teal next). But here I am so I’ll begin with black. Right now I’m in the collecting, hunting, gathering, percolating phase.

black antique garment fragments

black antique notions

For me percolating means – digging through treasures, making collections, experimenting, taking photos and generally messing around. I’m having an energetic and marvelous time. I’ll share what I come up with soon and if you would like to make your own study of black send me a link – I’d love to see.

back swan

curating, focusing and finding your voice – part 1 : practice every day

fortuny fox

I consume tons of information – often via podcasts while stitching – a lot of it around creativity – and some around business and marketing – they often overlap and intertwine. There is a lot of discussion and advice, especially lately, around finding your voice, curating and focusing.

I have struggled with all three – especially the focus and curating. I’m all over the place and I think there is validity to the argument that it’s easier to make progress if you focus your efforts narrowly. For example – I know I could grow the sewing and craft pattern business – my newest venture – much faster if I focused solely on that. Maybe I should. I also know there is a lot more to explore and experiment with in my own stitch-work and I could sink into that exclusively. Or I could dive deeply into painting and drawing – It would be an adventure and I would love to spend a bunch of time working out exactly who I am and what I want to express in that.  And there is the question of what to share publicly – is it smarter to only present one sort of work? I feel the conflict – the conflict of posting work that I can imagine seems out of place or for a different audience. I’ve considered and am considering possible changes and solutions – like having separate homes for the different kinds of work I do. A home devoted exclusively to the craftier end and another home for projects that are more experimental – I love both and don’t want to stop sharing either. It sounds reasonable and I’m not ruling it out but I can’t imagine running two sites – the time and expense and also I immediately see places where the two would overlap – for me it is all deeply connected.  I remain puzzled and conflicted.

I hoped that the work and exploration I did last year ( My Big Creative Year series) would somehow work this out for me but it didn’t. Something did emerge though – maybe the beginning of some clarity through the daily sketchbook work. I recently passed the one year mark – 52 weeks – what I committed to – but it’s been so good for me I decided to keep going. It has not been at all convenient but it has been undeniably good for my creativity and imagination. If you can find and commit to a little space each day to play, to listen to yourself (on the good days and the bad days) and experiment interesting things will happen.

sketchbook work

That relatively small daily practice of showing up began to reveal things to me after about 9 months – I began, or really am beginning to recognize my own voice in that medium, a voice that feels natural to me. Themes, imagery and a vocabulary are emerging as well as a sense of what I’m attracted to and what my strengths and weaknesses are.

sketchbook favorites

When I went through my big stack of little squares (it weighs  3 and 1/2 pounds!) I saw that many of the ones I like best, the things that felt the best to me felt connected to the other work I do. I couldn’t quite articulate how though. And then – while packing and shipping paper flamingos I addressed a box to someone who lives on Fable Lane. I thought – what a charming address to have – I bet Fable Lane is lovely.

fortuny fox

The word kept popping back into my mind and it occurred to me it’s a common thread in so much of what I have done – for the last ten years especially – the idea of fable – all the meaning and sensation that word conjures. I think it’s something to explore intentionally – I’m not sure exactly how yet but the idea of investigating that passes the first test – I’m having some ideas that make me happy and curious. More on this soon.

harnessing the power of your curiosity to get unstuck

overwhelm

overwhelmThere are so many reasons not to start, to feel overwhelmed or underwhelmed, afraid and stuck. Maybe something feels too big, the hill too steep to climb, or you’re afraid of failing  or being disappointed or disappointing.  Maybe your momentum gets hijacked  by some bit of drudgery – some unpleasant, boring but necessary task that has parked itself between you and everything you’d like to be doing.

Whatever the reason stuck is stuck. When you are stuck you lose your clarity, focus and drive. It is a place of frustration and a spinning anxiety and inertia that develops a momentum of it’s own- feeding and compounding and perpetuating the stuckness. It is not a creative place and certainly not a happy place.

Curiosity can break that cycle. Curiosity is an energetic place and you can apply your curiosity to stuckness with a very simple exercise: make a list of questions – at least ten.   To get started the questions can be small or absurd or silly – in fact absurdity can be good for waking up curiosity. And I have found the more questions I can come up with the better they get but the exercise is less about finding solutions ( although they may occur) and more about tapping into the energy of a massively powerful part of your mind.

Even in the case of drudgery, when the objection is  that a task is boring or unpleasant I might ask myself questions like – How could I make this better?  Is there ANYTHING fun or interesting about this? What if there had to be? How could I segment  or order this differently? Could I ask someone for help?  What part of this is not essential? What could I take away? What happens if I don’t do it?  What if I only had 15 minutes?  How could I apply a system here?

There is an element of novelty and perhaps a refreshing of perspective at work here too but it’s curiosity that gets you there. If you can spark your curiosity – even just a little – you can get yourself moving.

building the focus muscle

fortuny velvet

I’m working on a large project for Fortuny – I can’t show it to you for a couple more weeks but I can show you some of the fabrics I’m working with – their new cashmere velvets – I wish you could feel them – and the colors are glorious.

fortuny velvet

It’s a project I love and one that makes me wish for more hours in the day which of course I can’t have. But maybe I can increase the depth of my focus and attention to make the absolute most of the time I do have. I know the sensation of deep focus but it’s a place that has become increasingly difficult to get to.

I think of my creativity, my imagination, as a muscle – something to be cared for, fed nurtured and exercised.

I think of time as a precious and finite commodity and I manage and protect it thoughtfully and carefully.

I am realizing that my ability to focus needs to be cared for, exercised, managed and protected too. I know it has been diminished by constant connectedness, the myriad of small grabs for my attention that were not there 20 years ago. So I work at it, plan for it and block out chunks of time away from distractions – internet and phone free time to sink into deep focus. I thought that was enough until I listened to this episode of The Unmistakable Creative Podcast :

Rules For Focused Success in a Distracted World with Cal Newport

It’s a great episode and I hope you’ll listen. What struck me most was the idea that some habits and behaviors outside of those chunks of protected time have undermining, damaging effects on my ability to focus deeply, to manage my attention.

Newport offered the example of waiting in line at a grocery store – I pull out my phone – and so does almost everybody else. I notice the same on the subway – the train comes out of a tunnel and everybody pulls out their phone. It’s a habit and such a small thing – what harm could it do? Why not fill that little bubble of grocery line time with instagram or email etc.?

“Both our personal and professional lives are increasingly built around these sources of distraction. From a cognitive perspective, that’s like being an athlete who smokes.”

Cal Newport

It’s teaching my mind to run away from boredom – to fill gaps with novel stimulation from a never ending source, It weakens the muscle that resists distraction, the muscle that helps me stay truly present in the moment, the stitch.

songbird work

Since I first listened a couple weeks ago I stopped pulling out my phone in little downtime moments like waiting in the grocery or post office line and it’s uncomfortable – alarmingly uncomfortable. In fact it’s easier not to bring it. I think it’s good practice for pulling my attention back to the present or an opportunity to daydream – that little device steals so much daydreaming time. I am far more likely to have an idea while day dreaming than I am while looking at twitter.

I’m not giving up my phone or the internet – but I am working harder to put them in their place. And I do feel a strong nostalgia for the pre- connected life.

* Further – If you’re interested in this sort of thing you might enjoy another Unmistakable Creative episode on focus and productivity too.

the beacon, the compass, the driving force – my list

flamingo kit work

Are you a list maker? I work best and most happily when I am diligent about creating thoughtful, daily to do lists. I’m moving multiple, large-ish projects forward at the same time and I would be lost without my list. My list gets me to do things I don’t want to do, things I’m uncomfortable with or intimidated by. One of my current projects is putting together my first kit- paper flamingos. I love creating the instructions but there are tons of other details to work out, details I don’t love dealing with – wholesale suppliers, packaging, printing, assembling and distributing. It is on my list and I chip away at it every day.

flamingo kit work

The difference in what I accomplish and how much happier the work is when I take the time to carefully and thoughtfully make my list is so remarkable, such a dramatic shift, I’ve spent some time thinking about why. Why beyond the obvious benefits of being more organized, not forgetting things etc. I came up with some reasons and I saved the one I think is most important for last:

* I tailor my lists to my own personal brand of nuttiness – the anxiety and procrastination, indecision and overwhelm I’m so prone to. Tasks I REALLY don’t want to do get assigned small chunks of time – 15 minutes – 30 minutes etc. So much easier to start and to focus when an end is in sight. A surprising amount can be accomplished in 15 truly focused minutes. I use a timer for these sorts of tasks. I mix those short bursts with longer,  more open ended work. My day feels designed.

* Breaking things down into time chunks changes my relationship with time – I am conscious of, and accountable for my minutes – less time slips mysteriously away – I push harder and squeeze things in.

* It’s effective even when I screw up. If I’ve over-scheduled myself – it’s easy to see and fix going forward.

* I’m less anxious about what I’m not doing at any given moment – I know it’s planned for – has it’s own focused chunk of time instead of floating around in a vague and oppressive cloud of things that need to be done.

And the biggest benefit:

It can be hard to feel momentum and progress on large or longterm projects and goals. Checking things off on a list is undeniable evidence of progress and a chance to congratulate yourself a little and build momentum. I save my lists and when I’m feeling frustrated or stuck I can look back and see how far I’ve come.

Lists are a way of celebrating and recording little successes – and that is terribly important in accomplishing big things.

flamingos in love

P. S. If you would like an email notification when the flamingo kit is ready to go you can sign up here.

my big creative year : youness

paper mache ships

“No one is youer than you.” – Dr. Seuss

So lovely and simple and true. A perfect message for a child or grownup. And the idea that is at the heart of all that is creative.

I think the youness is worth exploring deeply and sharing as fully as possible. The world only has one chance at what’s in there – one chance at you. I think it’s worth time, energy, embarrassment, failure and disappointment to work your way through to the deepest, most truly creative work you can do – the youest – the work of your utterly unique, snowflake of an imagination.

My Big Creative Year  moved me closer to that work, closer to my youness. Some of the things that helped:

Showing up – whether I wanted to or not.

Failing and starting again, and again and again….

Intention – making experimenting a priority – making  room for it.

Learning more about how I work (one of the benefits of working) – following my energy.

Listening carefully for the magic – I do believe it is there- waiting to be noticed….  Listening is part of the work and that kind of listening takes practice and patience and the afore mentioned showing up.

I got more tuned in to recognizing where I stumble – I see more clearly what is in the way, what trips me – again and again – this continues to be my biggest sticking point.

paper mache ships

And what’s ahead for 2016:

Blog-wise nothing programmed – except the sketchbook – I need to freestyle for a while- post as the spirit moves me. And work-wise – I have a lot of ideas for the coming year – new patterns and for the first time kits! are on the horizon. Also, Some projects came to me at the end of 2015 that hit me right in my youness – work I’ve been enjoying immensely – I’ll share some of that soon.

And for you, for 2016, I hope you’ll continue to visit here – I am grateful that you do. I wish you a happy, healthy and creative year. I wish you a year of magnificent youness.

my big creative year : can does not equal should

time

time
This has always been a sticky spot for me. I make myself very busy with work I CAN do without carefully considering if it is work I SHOULD do, work only I can do, work I am meant to do. A yes to one thing is a stealthy no to something else. A lot of my efforts this year have been around making those choices more carefully or at least more consciously and treating time like the precious resource it is.

I first came across Elizabeth Gilbert through her Ted Talk on Creativity and just lately put her new book Big Magic on my list (have your read it? I’d love to hear what you thought). And there is a companion podcast series to the book – Magic Lessons. You know I love a good podcast and I listened to all 12 episodes during a marathon sewing session. I love the way she talks about ideas, inspiration:

“Inspiration is looking for you, it’s waiting for you patiently while you’re making your mistakes, making the things that must be made on the way to what it has for you, it is a collaboration and a synergy…”

The podcast is a series of interviews with other authors and artists and conversations with women trying to move past fear,  procrastination, guilt and busyness into their most truly creative work – their big magic.

Find the podcast – Magic Lessons – here:

http://www.elizabethgilbert.com/magic-lessons/

my big creative year : good ideas

Sometimes ideas are like mosquitos – a relentless whisper.  Sometimes they are slippery and hard to grasp. Sometimes they flow, tumbling over each other. Sometimes they are lurking in the shadows, maddeningly half revealed and sometimes they are frightening – too big to hold.

Whether they are big or little, scary, silly, sad, strange, embarrassing or brilliant they are in unlimited supply. You can’t run out.

And this is also true:

“The best way to have a good idea is to have a lot of ideas.”

Linus Pauling

Lots.

And I would add this – have lots of ideas and write them down, record them.

Volume matters not because you’re bound to get lucky eventually but because asking your brain to generate lots of ideas keeps the wheels turning and the machinery well oiled.  It makes you ask the second question and the third and the fourth etc. etc. that will lead you to new places, lead you deeper into your imagination and your magic.

 

 

my big creative year : the power of uncertainty

the power of uncertainty

Two great enemies of creativity are inertia and certainty. The fix for inertia is simple, not easy, but very simple – start, move, take a step forward. Certainty is trickier. Our brains are built to be efficient, they categorize, assume, learn, repeat and create habits and rules. It is work to notice – really look at things, consider them outside of their familiar context or history or purpose. Auto pilot is easy and comfortable and I catch myself slipping into it, in little ways and big ways, all the time. I see what I expect to see because subconsciously – it is already a certainty. And often I feel myself bumping up against rigidity in my thinking because I’m headed somewhere that conflicts with what my brain considers a given, a known quantity or a proven or even familiar course of action. Certainty isn’t open, it isn’t creative and it isn’t curious – it doesn’t have room for possibilities and possibilities are magic.  I wonder:

What would the world look like if we could forget everything for just a moment?

What would my own possibilities look like if I could un-know all I believe about myself?