He’s about 9 inches tall and 11 inches from top of head to tip of tail. The pattern has everything you need to make an awesome crow: learn to sew the sculptural shape of his body, carve a beak from a twig, make wire talons and create shimmery layer of feathers.
I used calico for the example crow in the pattern. I like the combination of a sweet traditional print with more realistic details, sort of celebrating the make believe. The other fabrics, for his feathers, are scraps of garments in different shades of black.
The sheen also varies. Incorporating fabrics that are flat and shiny and satin in the feathers emphasizes the layers. It makes a huge difference and gives crow -ish iridescence and depth.
Thrifted and antique garments are a great source of material for crows. I’ve always loved using really old garments for details. Pleats are particularly useful – you can incorporate them into the feathers for extra interest and dimension. And antique clothes often have mends and other stitch details that add character. The downside of very old garments is they are often fragile but fragile works for feathers since they aren’t part of the structural sewing.
Perhaps my most frequently asked question over the years has been “where do you find antique clothes to work with.” One of my best sources for Edwardian and Victorian clothes is Ebay. In the pattern I share a specific link (resources page) that’s helpful. I look for damaged garments – perfect for cutting up and not too expensive. And I check often – finding great stuff requires persistence.
In the not super old department thrifted suits are great – there’s tons of fabric and the weight and colors are good. Pin stripes would be awesome for a crow.
I took him down to the Henry Whitfield Stone House Museum for his beauty shots. It was the perfect environment.