Tag: creativity

what’s in my drawers

metal and ceramic drawer

You know – the good ones- not the messy ones overstuffed with un-filed receipts and mail and pens that don’t work (I have those too). The drawers with good messes – those are the ones I want to show you –  jumbles of stuff I use everyday mixed with stuff I like to look at, the things that are part of my process and inspiration – things I love and things I’m thinking about.

drawer with found obhects and vintage sewing notions

For someone who is quite tight on space I am pretty frivolous with easy access storage – for example I keep my paper snowflakes in a drawer right under my sewing machine. It’s not the most practical use of that prime space but there is the significant spiritual benefit of seeing paper snow flakes cut by a friend everyday to consider. And –  although it is unlikely –  if there ever is some sort of paper snowflake emergency I am ready.

vintage sewing notions

I like looking at peoples stuff – their treasures -what they choose –  what they hold onto. If you feel like showing me what’s in your drawers – please use #whatsinmydrawers on instagram – (I’m @annwood there).

found objects collection

 found objects collection

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color as a starting point : beginning with black

black paper mache teacup

black paper mache teacupDid you know mica comes in black?! Well it does – blackish anyway and it’s lovely ( I got some here). I made a paper mache teacup and gave it a fancy, sparkly interior. The teacup reminds me of the black milk glass on my mother’s little shelf of treasures (P. S. – teacups make sweet  Mother’s Day gifts).

dastardly owlFind the owl sewing pattern here.

Black is the color on my mind right now. I finished this scoundrel last week – he’s made of several antique bodices and a ancient moth eaten shawl – all in shades of black. I love the subtle variety in tones and the effect that limiting the palette has on my thinking and process. It made me wonder – what if I applied that same constraint to other ideas? I wandered around in my mind for a while and looked through my big note book of ideas – thinking about everything through a black lens. It was shockingly effective. That shift gave me lots of new ideas and curiosities and  fresh eyes on so many that had stalled and gotten back-burnered. It was a great illustration of the massive creative power of constraint.

The simplest thing – the smallest shift can guide you to new paths, new ideas and new places in your mind – shine a light on something that has been just out of reach in the shadows….. I am on a life long mission to shine a light into each and every one of those shadows.

I think it could be interesting to do a series of color studies (maybe teal next). But here I am so I’ll begin with black. Right now I’m in the collecting, hunting, gathering, percolating phase.

black antique garment fragments

black antique notions

For me percolating means – digging through treasures, making collections, experimenting, taking photos and generally messing around. I’m having an energetic and marvelous time. I’ll share what I come up with soon and if you would like to make your own study of black send me a link – I’d love to see.

back swan

curating, focusing and finding your voice : practice every day

sketchbook work

I consume tons of information – often via podcasts while stitching – a lot of it around creativity – and some around business and marketing – they often overlap and intertwine. There is a lot of discussion and advice, especially lately, around finding your voice, curating and focusing.

I have struggled with all three – especially the focus and curating. I’m all over the place and I think there is validity to the argument that it’s easier to make progress if you focus your efforts narrowly. For example – I know I could grow the sewing and craft pattern business – my newest venture – much faster if I focused solely on that. Maybe I should. I also know there is a lot more to explore and experiment with in my own stitch-work and I could sink into that exclusively. Or I could dive deeply into painting and drawing – It would be an adventure and I would love to spend a bunch of time working out exactly who I am and what I want to express in that.  And there is the question of what to share publicly – is it smarter to only present one sort of work? I feel the conflict – the conflict of posting work that I can imagine seems out of place or for a different audience. I’ve considered and am considering possible changes and solutions – like having separate homes for the different kinds of work I do. A home devoted exclusively to the craftier end and another home for projects that are more experimental – I love both and don’t want to stop sharing either. It sounds reasonable and I’m not ruling it out but I can’t imagine running two sites – the time and expense and also I immediately see places where the two would overlap – for me it is all deeply connected.  I remain puzzled and conflicted.

I hoped that the work and exploration I did last year ( My Big Creative Year series) would somehow work this out for me but it didn’t. Something did emerge though – maybe the beginning of some clarity through the daily sketchbook work. I recently passed the one year mark – 52 weeks – what I committed to – but it’s been so good for me I decided to keep going. It has not been at all convenient but it has been undeniably good for my creativity and imagination. If you can find and commit to a little space each day to play, to listen to yourself (on the good days and the bad days) and experiment interesting things will happen.

sketchbook work

That relatively small daily practice of showing up began to reveal things to me after about 9 months – I began, or really am beginning to recognize my own voice in that medium, a voice that feels natural to me. Themes, imagery and a vocabulary are emerging as well as a sense of what I’m attracted to and what my strengths and weaknesses are.

sketchbook favorites

When I went through my big stack of little squares (it weighs  3 and 1/2 pounds!) I saw that many of the ones I like best, the things that felt the best to me felt connected to the other work I do. I couldn’t quite articulate how though. And then – while packing and shipping paper flamingos I addressed a box to someone who lives on Fable Lane. I thought – what a charming address to have – I bet Fable Lane is lovely.

fortuny fox

The word kept popping back into my mind and it occurred to me it’s a common thread in so much of what I have done – for the last ten years especially – the idea of fable – all the meaning and sensation that word conjures. I think it’s something to explore intentionally – I’m not sure exactly how yet but the idea of investigating that passes the first test – I’m having some ideas that make me happy and curious. More on this soon.