Month: October 2018

the magical possibilities of cardboard and behind the scenes in the mouse diorama

October 26, 2018

by annwood

Cardboard is all over the place, for free! It has lots of interesting qualities and I’m always curious about the possibilities of things. I’m very interested in transformation, particularly of modest things, discarded things. The thin stuff, like a cereal box, is wonderfully flexible and you can create remarkably graceful curves with a little ingenuity. It is the secret ingredient in my paper mache ships. I think that is quite a transformation, from family size Cheerios box to floating ship, it is a kind of magic.

It is also what I use for my teacup armature.

Or even more intriguing, let it be the star of the show, glorified in all its cardboardness. The shapes and tones and textures all observable and celebrated. And I can’t resist an interesting die cut, they set my imagination on fire. Die cuts figure heavily into this spooky cardboard castle.

I made this playhouse from cardboard and popsicle sticks ages ago for Clare Crespo’s Yummyfun Cooking. So many hot glue burns but so much fun.

And speaking of fun checkout this super simple diorama for photographing your continental mice in a make believe French countryside. It is sand and pebbles, a little fake moss (all found at Joann’s) and a sweet print I got in the actual South of France last summer. It’s in a giant plastic container to diffuse the light.

This guy seems pretty excited about it. He was made by a student in the French General Mouse workshop last week. Find the pattern to make your own here.

P S – Do you get my weekly -ish newsletter? (there are two great cardboard halloween costume ideas in this week’s issue.

And you can signup for it right here.

a brief history of owls

October 19, 2018

by annwood

Owls and I go way back and they have always been mythic and magical creatures to me. One of the great legends of my childhood was my mother’s encounter with a great gray owl. If you had known my mother none of the things I make would surprise you at all. Sometimes I feel like I’m barely involved, as though they have been simmering in me all along and just waiting for their opportunity to appear. I think everybody has things like that in them.

And the very first film I saw when I was 5 or so was The Royal Ballet’s Tales of Beatrix Potter. I think Potter’s Old Mr. Brown character figures heavily in the owls that have turned up in my stitching.

update : the dastardly owl pattern is available now

The first owl to appear was Ian (named for Ian McShane whom I love). He is made from scraps and has flinty metal button eyes.

Owls continued on in the Mr. Brown vein with earthy tones and scrappy textures for some time until someone much darker appeared all of a sudden.

Chillingworth was made from a single garment, a victorian bodice, one of the first really old garments I acquired. It had all sorts of textures and interesting stitching and mends, most of them found their way into Chillingworth. I love how absolutely dastardly he is, glowering at you with his perfectly mismatched eyes. I’m not sure I have ever achieved that level of malevolence since. But there have been a lot of seriously bad tempered and surly candidates.

Hundreds of owls and 10 or so years later I’m preparing to share the pattern. I’m working on it as we speak. The pattern templates are finished and tested. In fact I’m teaching an owl workshop in Los Angeles right now. Most of the photography is done so it is just a matter of formatting and editing now. I’m hoping to have it complete by mid November.

*post update December 2019 – find the pattern here – cotton, linen, and wools with a variety of textures will work well for a dastardly beast.

30 minute figures : experimenting and generating ideas

October 5, 2018

by annwood

guick figure expeiments created with paper and fabric

Play generates ideas. And constraints make things interesting, they send you in new directions and bypass inhibitions. Find 30 minutes to play. Make a space, gather materials, scraps, paper, cardboard fabric, whatever is around, and tools – a glue stick, tape, paint, the basics. Make an appointment with yourself to show up and set a timer for thirty minutes.

Or even better do it with friends, everybody can contribute materials and that adds a nice element of surprise. In fact you could make it a snail mail challenge if no willing experimenters are nearby, send each other a collection of supplies. The assignment is to make a figure. Any kind of figure. Or more than one. You get extra credit for making more than one.

In idea generation volume matters.

This 30 minute challenge was the warm up exercise for my experimenting with dolls class at Squam in September and it was one of my favorite teaching experiences ever. Watching people engage deeply and freely with their imaginations and embrace real play is fascinating.

Before I experiment on students I experiment on myself. I did several 30 minute figure making sessions. I found that my ideas became more interesting to me as they became less complicated. In fact the thing I liked best was made in about 10 minutes. I also found that my brain really did warm up, my focus got deeper and ideas became more fluid.

This little cat was a complete surprise. I started wrapping a strip of black fabric around a piece of cardboard, not really headed anywhere and all of a sudden this mysterious little fellow turned up. I love him and I’m curious about him, where is he going? Who are those flowers for? What else is in the funny green room?

If you give it a try I’d love to see – use #30minutefigures on instagram or email a photo to info at ann wood handmade dot com.