Sewing is frequently on my mind when I’m painting and drawing and painting and drawing is frequently on my mind when I’m sewing. Lots of intersections, lots of overlap. I wondered what might happen in the translation process – from paint to cloth. Wondered if it would be interesting – what it might change or reveal. I decided to try some things this week. Make my self start, start before I had it all figured out, before I know what they might be. I chose a couple simple and small designs to begin.
The ideas emerged from my sketchbook work, my little daily paintings which aren’t so daily right now you may have noticed. I’m taking a break so I can work on some other experiments like this.
At first I tried turning, basting and ironing the edges of my sometimes tiny shapes before stitching. It was tedious and awkward and I found I liked cutting shapes and turning the edges under as I stitched much better. And the translation process is interesting. I found lot’s of inspiration there. It is slower and quieter than paint. I think hard about relationships, my decisions are deliberate. And there is an element of happenstance – the cloth brings unexpected details, textures and colors I did not invent.
I never would have chosen a warm red for this piece- but it was all I had so I tried it and I love it. Making those big, bold red stitches was surprisingly satisfying.
And it’s the perfect kind of sewing for the morning – before I’m quite awake. I love having something all ready for stitching, waiting for me when I get up – everything cut and pinned. It is also good traveling work, subway work, sit in the park work.
I have plans for lot’s more of these. Some tiny and some large. I’d love to do a very large stitched interpretation of this swan. It will take me one million years to make.